Well my brothers, I was visiting Macy’s today, and saw this on the counter. And I knew it was time to give this one a try. And I might I just say, while a lot of the designer releases haven’t been all that great, this one blew me away. Now before we get into review here, I am a bit biased. Sauvage elixir is one of my favorite designer fragrances, and I find the spice blend both nostalgic and intoxicating. Needless to say, my expectations were high, and even at the threshold, it still exceeded them. This is one of those fragrances that smell quite different on paper. It has to be experienced on skin before any reviews can be truly made. On paper, it’s dry, herbal, and intensely spicy. On skin, it’s intense, but made clearer and warmer, with more of an amber behind it. If it was dry smoke on paper, it’s a reignition of the flame on skin. Whilst the original Elixir had its own distinct style from Francois Demarchy, Francis K, the perfumer of Baccarat Rouge, and various other fragrances, much from Dior’s Private Collection, took that DNA, and put his own approach to it. The opening is a completely different take, of a completely different take, of the original Sauvage. It’s basically unrecognizable, while still maintaining that core DNA. Like Sauron being reborn in the flaming eye after his defeat. You get the classic Ambroxan, Lavender, and Bergamot, but it’s mutated into something different. Something much more strong. And the combination with the spices and woods make it so. The core note is just one, singular note, and the only one needed. Vietnamese Oud. It gives it a leathery, borderline animalic feature, but in a restrained way. This isn’t a sweet, appealing oud, but it’s completely wearable, and not a barnyard fecal oud either. Something in between. Like it’s restrained, but capable of being dangerous. The drydown is where you get that beautiful elixir DNA best, but still with its own style. A blend of two styles of cedarwood, patchouli, and vetiver. The combination of citrus and lavender in the opening with the woods and vetiver here are what give it the slight, barbershop vibe, but the intense spiciness and oud make it much darker and more ambery.

Match #48 in the second-chance bracket is a study in contrasts: Lattafa Mashrabya versus Prada Luna Rossa Ocean Eau de Parfum. Mashrabya (2024) is an affordable powerhouse—a rich amber vanilla fragrance built around apple shisha, cinnamon, tobacco, caramel, vanilla, oud, and patchouli. It's sweet, smoky, and strong, and I can certainly see reaching for it when the weather gets seriously cold. Prada Luna Rossa Ocean EDP (2023, created by Anne Flipo and Carlos Benaïm) feels much fresher, particularly in the opening, with grapefruit leading into incense, vanilla, amber, and woods. It has plenty of depth, but it's considerably more versatile than Mashrabya. And ultimately, that's the test I've been using throughout this tournament: which one would I actually reach for more often? For me, it's Prada every time. Add in the emotional connection—Ocean was one of the first fragrances in my collection and the one I wore when I first met my fiancée in Hong Kong—and this decision becomes even easier. Prada Luna Rossa Ocean EDP survives for another round, while Lattafa Mashrabya is eliminated from the tournament. I'm glad Ocean is sticking around. This bottle has a story attached to it.