Hey everyone - found out recently that even some folks in the Accelerator weren't aware of everything inside the Classroom. So I clipped a quick walkthrough and wanted to share it here with all of you. ✨This is a constantly expanding resource built for you. When you show up in this community, the Classroom is one of the first places you should go. It's packed with tools, guides, and material I put together specifically to help you move forward with sync - and it's all yours to utilize just for showing up here. ✨My whole thing is delivering as much value as possible at no cost. The Classroom is a big part of that.✨ On a related note - if you're looking for more structure, accountability, and direct coaching, I run a monthly group called The Sync Vault Accelerator ($97/month). Tim, Dawn, Jen, and Kaleb are already in there doing the work together. Just something to be aware of if you're ready to go deeper. If you want more information about that, just shoot me a DM and/or make sure to book your strategy and onboarding call so you can make sure that you're getting the most out of this community

Whats everyone's thoughts on sync agencies that charge you to submit to a sync opportunity? I just recently seen a sync opportunity that may fit perfectly for a track I plan on releasing in May. I was excited to submit until I seen that you must pay a small sync fee to submit. Am I wrong but I immediately get turned off whenever I see this lol, hence my excitement subsides. I have no problem investing in myself and what I require for resources.. But as I said in a previous comment, all these expenses seem to gouge creatives left and right and offer nothing in return.... Is this a wrong attitude when it comes to sync lol.. should I pay everytime I submit to an opportunity... Its exhausting lol... Rant over lol

Coming soon: Live Q&A Got questions about getting your music on TV, film, or ads? I'm going live to answer them - we'll dig into what music supervisors actually want, why pitches get ignored, and how to build a catalog that gets licensed. Pick your best time below. I will decide based on the poll by Thursday evening when to do this Q&A, and we'll update you all then. Earliest start will be next week.

🎉It's official! The podcast is coming!🎉 Next week I'll be recording the first episode of the Sync Vault podcast with special guest Jim Leavitt! He's a veteran sync agent, an OG mentor of mine and all around good guy. Submit your questions here for Jim and there's a good chance I'll ask him and give you a shoutout on the pod! Jim Leavitt runs House of Sync. He brings 30+ years of music industry experience spanning iconic catalog management (Chess Records' Chuck Berry, Howlin' Wolf, Etta James), independent distribution leadership as Head of Sync at The Orchard (Sony Music), and video game licensing at Ubisoft for Rocksmith+. At The Orchard, he led sync placements for artists from Bad Bunny to BTS across global film, TV, and advertising. Now as co-founder of House of Sync, he represents independent artists with the same strategic approach he brought to major catalogs—bridging the gap between indie creativity and commercial opportunity with decades of supervisor relationships and licensing expertise.

If you've ever looked at a project and thought "I have no idea how many hours I've put into this," you need HOFA ProjectTime in your life. It's a free plugin that logs your session time automatically. Drop it on your master track, and it starts timing the moment you open the project. Pauses when you stop playback. Picks up right where you left off next session. Here's the move: save it to your DAW template so it's loaded on every new project from day one. Open your session, check your hours, and make sure you're actually moving forward and not just spinning your wheels on the same 8 bars. The 20-Hour Rule only works if you actually know when you've hit 20 hours. This is how you know. Download free: Plugin Boutique or HOFA's site. Takes 2 minutes to set up. Track it. Honor it. Finish it.