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The Sync Vault

124 members • Free

25 contributions to The Sync Vault
👑The Classroom is a goldmine👑 Make sure you're using it!!!
Hey everyone - found out recently that even some folks in the Accelerator weren't aware of everything inside the Classroom. So I clipped a quick walkthrough and wanted to share it here with all of you. ✨This is a constantly expanding resource built for you. When you show up in this community, the Classroom is one of the first places you should go. It's packed with tools, guides, and material I put together specifically to help you move forward with sync - and it's all yours to utilize just for showing up here. ✨My whole thing is delivering as much value as possible at no cost. The Classroom is a big part of that.✨ On a related note - if you're looking for more structure, accountability, and direct coaching, I run a monthly group called The Sync Vault Accelerator ($97/month). Tim, Dawn, Jen, and Kaleb are already in there doing the work together. Just something to be aware of if you're ready to go deeper. If you want more information about that, just shoot me a DM and/or make sure to book your strategy and onboarding call so you can make sure that you're getting the most out of this community
👑The Classroom is a goldmine👑 Make sure you're using it!!!
1 like • 1d
We do now!
Just Accepted in AudioSparx, now what? 😶
Hey everyone, I just completed a small playlist of tracks to submit to music licensing companies and music libraries. So I was able to submit to a few sites like pond 5 and AudioSparx. I'm waiting for my account to be procressed with Pond5 and was I accepted by AudioSparx. Has anyone ever worked with AudioSparx before? Secondly, this submission game is draining. Lol Uploading all the metadata and info. Then you research music sites only to see they aren't acceping music right now. It also eems like a lot of libraries close submissions for the first quarter.
2 likes • 3d
Hi Tyree. I've had stuff on Pond 5 for a couple of years and have earned $6.81. The product I have on there might not be all that great - your stuff is probably more relevant - but I just didn't get any traction. Zillions of tracks on there, and hard to get heard... was my experience
3 likes • 3d
Sure - no problem submitting. The challenge is being accepted and the music being used. Submitting is easy.🙂
Introduction
Hello everybody! Thank you for allowing me to be a part of this community, and thank you for organizing and sharing all the information you have Glenn. I appreciate the advice and insights that you have shared. I am in the process of getting myself organized. I really enjoy the creation process, but I lack connections and after watching some of your vids, I realize I need to pull some stuff out of mothballs, and build my catalog with more than just tracks, but info about them etc. If you all want to check out some of my creations, you can see my website, or find some of my stuff on a variety of streaming platforms. I look forward to seeing where this goes, and where this journey takes us all.
0 likes • 4d
@Adam Nelson I am a Taxi member, and I get a few briefs from them each week. The stomp clap rock/blues sort of thing comes up every other month or even more often as something that is being asked for. It's pretty popular, from what I can tell.
0 likes • 3d
@Adam Nelson Nope. Taxi has not been productive so far as placements, and I've also not gotten any forwards. But then again, my music might not be up to par, and they are very selective. However, the big benefit for me, is that I am writing against their briefs - which seem to reflect what is in demand - and building a portfolio that more or less matches what the market wants. My plan is to clean up the portfolio with Glenn's very capable help, and then by summer start marketing directly to some catalogs, snyc agents, etc. @Dawn Dineen is also a Taxi member, and she has had a forward, but I believe no placements.
Quick Tip Tuesday: Stop Guessing How Long You've Spent on a Track
If you've ever looked at a project and thought "I have no idea how many hours I've put into this," you need HOFA ProjectTime in your life. It's a free plugin that logs your session time automatically. Drop it on your master track, and it starts timing the moment you open the project. Pauses when you stop playback. Picks up right where you left off next session. Here's the move: save it to your DAW template so it's loaded on every new project from day one. Open your session, check your hours, and make sure you're actually moving forward and not just spinning your wheels on the same 8 bars. The 20-Hour Rule only works if you actually know when you've hit 20 hours. This is how you know. Download free: Plugin Boutique or HOFA's site. Takes 2 minutes to set up. Track it. Honor it. Finish it.
Quick Tip Tuesday: Stop Guessing How Long You've Spent on a Track
1 like • 4d
I use the HOFA timer, and (I think it's only for Ableton) I have a to-do list plug-in from Justin Sherrif that I love - every time something pops up that needs attention, I can jot it down inside of the DAW and then check it off as I do it.
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Tim Jeffcoat
4
80points to level up
@tim-jeffcoat-9328
'Retired' from my day-job and am now an aspiring composer of film/tv music for sync.

Active 1d ago
Joined Mar 3, 2026
ISTJ
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