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I'm doing a brand refresh... help me pick!
Doing a full brand refresh on The Sync Vault and I need your eyes on it. I've got 4 cover image options. Vote for your favorite in the comments (just say A, B, C, or D). Whichever gets the most votes goes live on the group.
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I'm doing a brand refresh... help me pick!
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THE CINEMATIC MIX INTENSIVE: GUEST REVEALED (WORKSHOP)
The mystery is over. Meet Tim Starnes. Tim Starnes has spent decades as a music editor and mixer on major film scores - credits include The Lord of the Rings trilogy (with composer Howard Shore), The Departed, Hugo, and The Aviator. He's also taught music editing at NYU's graduate film scoring program since 2007. I had the fortune of meeting him in 2021 and he was the stem mixer for 52 songs I produced for Blues Clues/Nickelodeon. He's joining us live for The Cinematic Mix Intensive. I asked Tim what trips up composers who mix their own music. We'll cover: • Gain staging and signal flow • When it's actually an EQ problem, and when it isn't • Why dumping plugins on the master bus doesn't fix what's wrong How it works: 4 cinematic and trailer composers will open their sessions live and get their mix diagnosed by Tim, plugin by plugin. Submit your track after signing up and get in the running for a live review. Not presenting? You'll still watch real mixes get broken down live and get your own questions answered in a Q&A at the end. Details: • September 28, 6-8pm EST · Live on Zoom • Free for Accelerator members · $17 general admission· Spots are limited RSVP: https://luma.com/te6u4ags
THE CINEMATIC MIX INTENSIVE: GUEST REVEALED (WORKSHOP)
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The Sync Vault Navigation | How to Get Help
Welcome to The Sync Vault community. This only works if we all show up, so here's how to make this place valuable for everyone (including yourself). HOW TO USE THE CATEGORIES: 📍 START HERE - Read this first, introduce yourself, find your footing 🎵 Feedback & Finishing - Disco links ONLY! Share WIPs, get feedback, post accountability check-ins. 💼 Business & Pitching - PRO setup, metadata, contracts, supervisor outreach, pitch questions 🏆 Wins & Placements - Finished tracks, successful pitches, placements - celebrate here 🛠️ Tools & Resources - DAW tips, plugins, workflows, templates 💬 Off-Topic - Everything else When you post, drop it in the right category. Makes it easier for everyone to find what they need. HOW TO ASK QUESTIONS (Without Wasting Everyone's Time): DON'T ask questions Google can answer in 30 seconds. "What's a PRO?" → Google it."How do I export audio from Logic?" → YouTube it. DO ask specific, sync-related questions with context: ❌ BAD: "How do I get my music in sync?"✅ GOOD: "I've finished 3 tracks and organized my catalog in Disco. Should I pitch directly to supervisors or join a library first? I'm leaning toward libraries because I don't have contacts yet. Thoughts?" The formula: 1. Where you're at right now 2. What you've already tried/considered 3. Your specific question or 2-3 options you're weighing Give context. Don't write War & Peace. Be specific. We're all here to help, but we're also all busy finishing our own tracks. Make it easy for people to help you. HOW TO SHARE TRACKS FOR FEEDBACK: 1. Upload to Disco.ac only - We're all using it, keep everything in one place 2. Share the Disco link in Track Feedback & Finishing category 3. Be specific about what feedback you need: "Is this mix sync-ready?" "Does this hit the 'uplifting indie' vibe or miss?" "I'm stuck on the bridge at 1:32 - does it work?" General "thoughts?" posts get general responses.Specific questions get specific help.
Film Scorers
allyson@cindependentfilmfest.org Here's a link to possible indie film makers.
Film Scorers
This John Mayer quote just popped up on my feed....
.... this album, that turns 20 today, changed my life. .... I met some of the greatest musicians and engineers in the world and learned so much about making records from them. When I think back on what made the album so special, some thoughts come to mind, and they're worth my remembering: Life came into the room. I rode bikes on the beach. I was goofy - most of the images from these years are of me doing something wacky. The record took time. Months of writing, giving up on lots of songs, writing new ones, moving studios, taking breaks. As I get older l tend to expect results faster. I get frustrated a little easier. But it's always been the same; you work weeks and months on songs. Some don't make it, but it's never a waste of time. You live more life, you write more songs, and the process starts again. You cherish the tight little list of tunes that matter. When just one joins the ranks, it's a blessing. Joy wins out over discouragement. You have fun with your friends, who are all on the journey of exploring the unknown with you. Great albums are built in layers. You have to become different versions of yourself to create a lasting body of work. Nobody cares how long it takes if the music is meaningful. If you want to make something truly special, you have to bring talented people in the room to contribute.......
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The Sync Vault
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Free community for musicians, producers, and composers learning to pitch music for TV, film, ads, and games.
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