Getting Away From The Page
One of the things that signifies you’re past the early stages of learning jazz is being able to play a whole set without reading anything.
That doesn’t mean you play everything perfectly, and it doesn’t mean you’ve mastered all the tunes that you play. But it really is the moment that you know that you’ve got past that early stage.
I spent years being attached to the page, even if it was just for chord changes.
And I see a lot of people with this issue as well. At jam sessions and gigs, needing to stare at paper or an iPad for the whole performance, even on simple tunes.
In my opinion, at least 50% of the time, people don’t need to be doing this. But it becomes a crutch, and it’s a hangover from learning classical music.
So how do you get out of this?
It depends on where you are, but really the time to start is now.
If you’re just getting into jazz violin, I would suggest trying to do everything from the start via your ear.
That does mean learning simple tunes, and it does mean working with simple material.
That’s where my Jazz Violin Foundations course is useful. It’s for people who have been playing the violin for a long time, but are new to jazz and want to get into it via their ear, working with simple but doable material. Get it here https://www.skool.com/jazzviolin/classroom
If you’ve been playing for a while, it really is just a case of starting to do it.
Give yourself a goal.
Maybe the next time you play a jam, you don’t allow yourself to read anything.
Or if you’ve got a gig coming up, spend some time committing the material to memory.
You will end up in situations where you don’t know things, but that’s where you start to use your ear.
That’s how you actually practise having a good ear.
You just use it.
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Matt Holborn
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Getting Away From The Page
Learning Jazz Violin
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