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61 contributions to Learning Jazz Violin
New experience
Ok i must share this. Today in the morning i posted couple of videos at jazz fb site in Vienna And i wanted play with somebody. French guy wrote me And invited me for the gig. I played couple of songs with them and i was absolutely terrible.got Lost in the solo, shit sound etc. EVERYTHING went Wrong. One time came guy to play with us who plays with Stochello Rosenberg,i was told😂.i Guess i pissed the v uys off a bit...Its nice to record videos at home and pretending to be able to play. Nice clash with reality...Now Its time to start properly practicing ang going to jam sessions everywhere.
New experience
2 likes • 7d
Wow! Were you able to figure out what pissed them off? You probably broke some rule that you didnt know they had. Every genre of jam has a very different set of rules. What would be RUDE at a bluegrass jam might be GREAT at a gypsy jazz jam etc. So I always ask questions like : is it permitted to play pads, fills or rhythm on violin, or is it ok to use an iPad, or how to know when its your turn, is twice through a form ever ok? etc. Also they do get pissed off if you are fussing with the rig/amp/gear/iPad causing a delay. You could also invite folks to jam at your place privately as well; you will find you may take more musical risks in a private home... and you always learn from making mistakes!! I learn MUCH more at private jams.
2 likes • 7d
@Viktor Houf I put my violin down and worked as a banker for years. Was hard to pick it back up but well worth it! I wore sunglasses to gigs for a full year so no one would recognize me!!! lol Remember what Miles Davis said about there are no "wrong notes" its just like art: when you accidentally make a "stray" line you just add a few more strokes to turn it into a picture of something else!
Twinkle Twinkle Guessing Game
Lets play a game. Here's a simple melody you probably all know (see my video). I'd love you to post your own variation of it in the comments. Then, based only on what you hear, have a guess at the musical background or influences of the person who posted above you, and the person below you. Classical? Folk? Blues? Something else? Do more than two if you're enjoying it. The idea is to show how everyone has a unique voice, and how even the simplest melody comes out differently depending on the music we each know best. Your version says something about you, whether you mean it to or not. Have fun with it!
Twinkle Twinkle Guessing Game
0 likes • 7d
This was a riot. This captures basically what’s left in my improv idea jar at 2am when we’ve played 3 sets and I’m DONE. A lot of arpeggiating lol!! I used “Bossa/swing” setting in iRealPro for backing and then I switched it to “‘reggae”.
"Difficult" Keys
This is something that comes up a lot for me. Some keys are easier to play, some keys are easier to think about. Often these two things have some correlation when it comes to the violin. I don't like playing in B major, because I find it hard for my brain to compute the notes, especially when there are chords that don't come from the B major scale. The vi7 for example would often be a G#7b9. Playing over this effectively is harder to think about than it is in Bb, because of the amount of sharps involved. However, B major feels pretty nice under the fingers for the violin. I think it's one of the keys where it's harder to think about than it is to actually play. This has been going through my head for years as a jazz violinist. Some people might ask "why spend so much time on a key like this if you hardly ever play tunes in B?" Well, if you want to play with singers, you might have to, for one. They often need tunes in different keys for their range, and it's nice to be ready for that. Secondly, it may not be the case that you'll play in B that often, but there will be moments within tunes where the harmony rests here for a bit. If you aren't comfortable in B at all, your solo will sound disjointed and your playing won't sound consistent. Lastly, learning to play in all keys helps solidify concepts into your brain. If you can take a simple melody through all keys, you really know it, and it's more likely to become part of your musical vocabulary. Otherwise you might just see certain lines as things that work over a certain chord in a certain key. That's fine sometimes, some stuff just works well in certain places on the instrument, but really we should strive for a distinctive sound in our playing that's consistent. It doesn't feel right to sound completely different in every key you play in. Just some thoughts... Is there a key that trips you up the most? Is it because of your thought process, or because of the technical problems you have with it?
0 likes • 7d
To fall in love with B I started with B minor tunes. Going to the 4 (Em7) felt comfy. F#m7 is awesome for double stops with open A as the b3 and open E as the 7th. Highly recommend. So now I just think of Bmajor as a mere tweak of B minor! Lately I have found alot of FUN Ab (or Fm) songs to woodshed Ab; my 4th finger is getting alot stronger!!! All that you are Ceora Work Song Tea for Two Donna Lee Switch in Time Straighten Up and Fly Right Paper Moon
Gigging Jazz Violinists - Share Your Wisdom
A question for those of you who are actually out playing jazz gigs. What’s one thing you wish you’d known when you were starting out that you only really learned from playing live? Maybe it’s something about playing with a band, something you wish you had started practising earlier, dealing with nerves, playing tunes you don’t know or just anything at all about learning jazz violin. Whatever it is, drop it in the comments. here’s mine learning to improvise whilst looking at a chord chart is a different skill to learning to follow or be led along by the changes in your head and ear. Start practising this from day one and stop yourself from always looking at changes when you practise.
1 like • 22d
How to add tasty fills, pads, nice harmony or rhythm chucks INBETWEEN solos without stepping on others. It’s the value added you bring while not soloing that often gets you hired. Or how to provide a cool intro or outro to aband.
A Question for VIP and Premium Members
Hi all, I wanted to do a quick. poll, really aimed at the Premium and VIP members on here. I write out all of the etudes and some of the exercises that we do in practise club and I wanted to see how many of you actually use them. BTW They are all now bunched together in "The Library". I'm really just asking so I know how best to use my time to help you all stay practising!
Poll
5 members have voted
3 likes • 22d
My 2 cents -- If you are considering stopping attaching pdf notes to your videos the answer is please dont stop providing the notes!!! If I had to choose between notes or video I would take the notes. (For me, slowing the youtube video of a solo down is already available to me; transcribed notes are not.) Also: the music notes are far more educational when the chord symbols are included above the notes; otherwise I sightread and dont really learn. I dont want to just read the notes...I want to understand WHY the notes.
1-10 of 61
Kaia K
4
25 points to level up
@kaia-updike-4753
violin, bass, keys

Active 1m ago
Joined Mar 28, 2026
NYC and Madison, WI
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