Hey everyone, I’m excited to share my latest project, called Project Epic Mind, which is a creative workspace designed - at least for now - for epic trailer music. The platform allows you to capture ideas, generate titles, explore chord progressions, and track your production workflow, all while keeping the focus on inspiring creativity rather than replacing it with AI. I’d love your feedback on features and suggestions for the trailer checklist, as I aim to keep things simple and effective. What do you think? Do you have feedback? Suggestions? I am all ears! :)

Hi everyone I have recently heard that a video game that used an AI cover and won game of the year has had the award stripped from them due to the use of AI art for a game cover. Do you think that moving forward we will need to find alternate artwork for Album covers and youtube videos to be safe? Or is it ok to still use AI?

Hi there! I finally decided to put together a mobile studio so I can keep working even when I’m away from home. I was curious to hear what your mobile setup looks like, if you’re using one. Here’s what I’m currently working with: - MSI 15" PC with 64 GB RAM - 2 TB NVMe SSD for a selection of libraries that let me sketch or build a full track - Arturia MicroLab MK3 - iPad Pro as a second screen when needed - Stream Deck Mobile on my phone Still refining it, but it’s already proving pretty useful.

Hi Everyone and Happy New Year! Just wondering what some of your favourite realistic-sounding Piano VSTs are? My go-to in trailer tracks is the Felt Piano from Spitfire's Olafur Arnalds Toolkit, but I need something a little less soft for a project I'm working on. I've been using Addictive Keys from XLN Audio for years in personal projects, but I'm not sure it quite has the realism I want/need for this professional project. Though interested if anyone disagrees! Let me know your thoughts! I'm hoping not to break the bank on another piano, but I'd love to have something that sounds super realistic to slot into my wider instrument collection (Nucleus, Metropolis Ark, Damage 2, Gravity etc) Thanks all!

Hi! Before the end of 2025, I thought I would take the opportunity to make some shoutouts when it comes to people in this community that helped me out on my journey when it comes to applying but also get accepted into two trailer libraries earlier this fall. First off, big thanks to @Andrew Hand who gave me great feedback on my early showreel version that I started to build and create during the summer. Thanks, Andrew :) But Andrew also got me into contact with @Matt McDonnell who offered me 1v1 sessions, when it comes to improving my cues even further, and also very valuable feedback when it comes to my upcoming showreel, and important things to have in mind when sending those application mails to the libraries. Besides that, we've also had great conversations about music and life in general :) Thanks Matt for taking the time, listening to different versions of my cues and giving valuable feedback, but also the support during the whole phase of "putting it all together". And last but not least; thanks to @Alex Pfeffer even though we've never spoken, since he's the man behind this community. Thanks to him I've gotten new knowledge but also inspiration. I wouldn't have found this group of fellow composers in the first place if it wasn't for his YT channel :) Thanks, Alex! I'm now in the work of finishing my first album (horror music), with one of the libraries. Twelve tracks were completed before Christmas, but I'll now go back and start making some revisions and changes here and there due to feedback, and then it's time to deliver those stems(!) Looking forward to what 2026 has to offer, and with that I want to wish you all a Happy New Year! Kind regards, Roger Bergström