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Plugin Breakdown w/ Damian is happening in 4 hours
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Learn how to make an income from music
Hey everyone! Just got back from our studio event in NYC, as per usual it was a blast! Wanted to let you know that we're hosting our first ever virtual open day next Wednesday for our income generation and business program, The Profitable Engineer. We'll break down how the program works, and also share what's working right now when it comes to getting clients as a freelance engineer, producer, or composer. You've put blood, sweat, and tears into developing your craft. Now it's time to monetize it. If you want to make an income doing what you love - whether part-time or full-time - join us live and we'll show you how to make it happen. This event is designed for those who want to make an income in any area of the music industry - from freelance engineering and producing, to making music for ads, TV, films, games... or developing a career as a recording artist. It's happening next Wednesday, May 20th, at 10am PDT / 1pm EDT / 6pm BST / 7pm CEST. You can learn more and register for free here: https://courses.mastering.com/event_full/1778784228104x659561130213244900?utm_source=FTMSkool Hope to see lots of you there! Rob
Learn how to make an income from music
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Start here & FAQs
Welcome to any new members! Please read this post carefully, and complete the following steps. 1️⃣ Step 1 - Watch the relevant "start here" video Paid/free trial members, watch this first: https://www.skool.com/mastering/classroom/de802fd9?md=65e2c1b717dd47bf9ba4416487958d2c Free members, watch the video attached to this post. 2️⃣ Step 2 - Introduce yourself Please leave a comment on this linked thread to introduce yourself: https://www.skool.com/mastering/introduce-yourself-here Okay there are some FAQs below, other than that, thanks again for joining, and welcome to the Mastering.com family! -- 🚨 Frequently Asked Questions 🚨 ➡️ I’m currently a free member, how do I learn more about paid membership and upgrade? All the info is here: https://courses.mastering.com/membership_info_skool ➡️ Where can I find the resources for the Mixing & Mastering Cheat Sheet Binder? If you bought a physical copy, you will get a confirmation email once it has been dispatched. For digital copies, check your inbox for the email with subject "Order Confirmation" then click the link inside. For the full breakdown course, go to Courses tab here in Skool then click on Mixing & Mastering Cheat Sheets. Here is a direct link: https://www.skool.com/mastering/classroom/edf13df1 ➡️ I registered for a free event, where do I get the Zoom link and full info? Navigate to the Calendar tab then click the event you want, it will open a popup with all the info and a button to add it to your personal calendar. ➡️ How do I manage my membership and billing? The easiest thing is to message support@mastering.com and we can help change your billing info or cancel. If you want to do it yourself, depending on where you joined, there are two places you will need to go.
Start here & FAQs
Mastering ambient/instrumental music
Hey all! I have a question about mastering an ambient/instrumental album. I noticed that a lot of that music generally is mastered around -12 to -10 LUFS instead of pushing around the -7 LUFS range. I wonder if anybody has experience mastering this kind of music? Just want to make sure I deliver to my client something in the right loudness range.
Introduce yourself here 🤘
Welcome to any new members! Introduce yourself below and tell us about: - Why you love music - Where you’re at in your audio/production journey - What you can help people with - What you’re looking to get out of this community Take it away!
Please help. What is/was your strategy for sound collection?
Again and again I keep running into the same issue - endlessly searching for sounds during creativity flow. Auditioning 200 snares and scrolling through presets and samples does not help the momentum. More and more this makes sense to me to have a collection of sounds prepared before producing. In recent Produce-A-Ton, Dane showed his collection of recorded sounds in Sampler menu. Now I’m eager to know whether ther’s like the best strategy for building my collection. What was your strategy? Did you organize by: Genre? Element (kicks, snares, basses, vocals)?Emotional character? Texture (warm, digital, dusty, aggressive, soft)?“Go-to” sounds that always work for you?
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