Activity
Mon
Wed
Fri
Sun
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Jan
Feb
Mar
What is this?
Less
More

Memberships

REDLUX RECORDS

103 members • Free

Mastering.com Members Club

32.4k members • Free

105 contributions to Mastering.com Members Club
Dithering
Hey everyone, I went through past threads regarding dithering and it's a divided topic, it was interesting to gather different perspectives but I didn't really find a direct answer for what I've been wondering - I also wasn't sure how old the threads were. With streaming accepting 24/48k and CD's becoming obsolete, is dithering still necessary at the mastering stage?
5 likes • 17d
FWIW, CDs are evidently making a (small) comeback with Gen Z, so I wouldn't write them off just yet. Plus you get a physical thing to sell/buy at shows. RE: question, I only worry about dither when reducing the bit depth to 16.
Reducing plosives and sibilance when recording vocals
What’s the best approach (in your experience) to mic placement to help reduce plosives and sibilance when recording vocals? I recently saw @Caleb Loveless mention in a Start to Finish Studio Session that hanging a microphone upside down can help tame sibilant vocals. I’d love to understand more about how that works. Would positioning the mic this way also help with plosives? I’m really trying to get things right at the source so I can minimise editing and plugin work later. I’ve been working on a track that calls for a softer, sometimes whispery vocal delivery. Because I’m singing closer to the mic, plosives have become much more noticeable. I’m recording with a Rode NT1-A in a DIY-treated room (thick blankets, duvets, mattresses, etc.). Any advice would be appreciated.
0 likes • 17d
I thought Caleb said that angling the mic down a little (so that it's not parallel to the singer's head) would help with plosives/sibilance.
FTM feb 26 - my mix
So I kind of made it, got a few hours squeezed in last night and a few tweaks this morning (including Dane's new bass stem). Even though I always wish I had more time to get into details, it's great practice to try and get something done so quickly. I already hear a few high level stuff I probably should've fixed - like a bit more control on low end and probably cut some mids from verse vocals ... would also like a little more 'lift' into the choruses - but alas, time ... Overall I'm reasonably happy with it - from a hobbyist perspective at least :) What do you guys think?
1 like • 17d
Nice job Petter!
Revealing it all (tomorrow) [REPLAY]
UPDATE: Here's the replay: https://www.skool.com/mastering/classroom/f61d4cc6?md=319def3fd8fe491a9a5498125fabf7fc -- Hey everyone, I have an exciting update to share. We're in the final stages of preparing our newest program. It's called "The Art of Mixing"... And it's going to be our most comprehensive mixing program to date. If you're not ready to do The Reverse Engineer yet (our flagship program) but you want to learn how to craft professional mixes that hit as hard emotionally as they do sonically... We're going live TOMORROW, Friday Feb 13th at 8am Pacific / 11am Eastern / 4pm UK Time to reveal all the details. Register here: https://us06web.zoom.us/webinar/register/WN_Jhww6kR9QESFCEJ0bsM0GQ Can't wait, Rob
1 like • 23d
I am registered for the upcoming Mixing Intensive and want to know how the content will be different and how it compares to the mixing curriculum from TRE.
Vocals sound only loud when panned to the side
Hi, for some reason my recorded vocals are only normal volume when I pan them to the side. My track is put on mono I routed it to stereo out ( logic). Did I record them wrong / how do I fix this in logic? ( putting a gain plugin didnt do anything - but maybe there are settings I should know about? ) Thank in advance
2 likes • 26d
Could you post a screenshot of what your vocal track looks like in Logic?
1-10 of 105
Garry Simmons
5
174points to level up
@garry-simmons-6602
Guitar / Bass / Studio Rat

Active 3h ago
Joined Nov 19, 2025
Pittsburgh, PA
Powered by