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Mastering.com Members Club

37k members • Free

JZ Microphones Community

1.7k members • Free

372 contributions to Mastering.com Members Club
Quitter
Another day that I genuinely don’t feel like making music and it feels like something that I have to do like a job. however, I still can’t shake this feeling that I belong in a Music world; is it just because I’ve been doing it for so long that I can’t shake this internal habit or do I have a calling? I don’t know!! just thinking out loud.
Quitter
1 like • Jul 16
being "retired" though not officially until nov at 66 and a half nearly, i have had time last 5 years due to covid shutting down uk retail music shop where i worked 20 years. Took redundancy and decided really needed to get back into music making, grandson took up music so Tuned up the piano gave him my touring EP casio and viola! Found Mastering com and Kompoz.com and the amount of tracks I have contributed to was approx 60 per year starting jan 2024. Some made it weirdly onto streaming platforms but that is not my aim. Being classcial trained piano I "orchestrate" = "production"? I hear a track I may want to contribute to, and immediate hear the instrumetns and sections and riffs! If not I move on.
1 like • Jul 16
also managed to turn some of my poetry into sort of lyrics and compose some classical and "pop" tunes as well. Keenly follw the FTm freebies on mastering and learn so much.
IK Media Products Advice
Do you own/use any IK Media products? I would *love* your input on what you think I should pick to add to my library of sounds and FX (I have mostly stock Logic sounds right now). -->Guitar/Bass/Drum FX are #1 right now, but I also like making electronic music (trip hoppy/dark pop/dance with orchestral influence). Please share your votes & comments. Thank you, community.
Poll
6 members have voted
1 like • Jul 16
i have sampletank amplitube modo bass drums tracks and a basic free resing one (though never used)k fender cs. There is better than miroslav orch though
Networking with artists
For those of you who are producers who want to work with artists, especially if you want to work with artists who aren't necessarily local to you (and the internet and technology certainly allows for that!), where have you found are good spaces online to engage in that sort of networking? Note: I'm not necessarily asking what I should be doing in order to be prepared to network with artists, etc, although I admit that would be a good discussion to have as well! But for right now, I'm just asking where good places to network are. Thanks!
0 likes • Jul 14
try kompoz.com is free tier to join but can only uploade mp3 to projects which you can join unlimited ones. your own is limited to 3 per year unless you go to first paid tier. That is more credits to creat a track and you can upload wav files. Loads of very good musicians out there and some really great USA vocalists anywher from nashville country sound onward, clean smooth vox etc. We have a radio page for publishing internally so you see what goes on in every genre. Sometimes they get out onto streaming as well!
1 like • Jul 16
@Eric LaRue world wide Literally! I work with usa south america europe africa australia new zealand singapore japan from my desktop. As I said above free to join. u get 3 free porjects to make yourself but limited to mp3 upload. Post help wanted ie bass drums etc and you will get submissions as wavs. You can join unlimite other ppls collabs by submitting tracks. if paid member you uploade wavs not just mp3.
THE BIG INTERFACE DEBATE
Interfaces! Which one do you use?
Poll
165 members have voted
0 likes • Jul 14
4th gen 2i2 works great my nord 6 electro stereo in but also have midi in for that as well as midi in for rolad xp10 synth. Use cakewalk sonar free version and use focal pro for recording and ollo x1 mis master
Finding Your Sound When Music Varys Much
Hi Everyone! Im doing the artist development course right now and I’m having trouble ‘finding my sound’. I feel like i explore music very artistically with sounds and styles and concepts and such and all my projects are similar yet completely different. One album I’ve written may have a hyper/synth pop costal city sound and the next one has an acoustic light guitar sound with forestry vibes and concept's. What i write and produce comes to me from the influences of whatever is taking place in my life and i just communicate it in the style of the project I'm working on. But how do you develop an artist sound when you’re constantly exploring and changing your sound sets?
1 like • Jul 14
From a classical trained piano and school teacher, "producing" is sort of like orchestration ie what intstruments when and where in the orchestra or "classical" sound anything from bach, beethoven chopin to modern comp using theremin and ondes martenot jean michel jarre like. I hear instrumentation on tracks when I listen to a track looking for keys strings or anything etc. Expanding my range fromo honky tonk scott joplin, sound tracks, metal hard rock, country gospel so it really pushes my boundaries! even writing lyrics and some songs myself
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John Rowley
6
84 points to level up
@john-rowley-2027
UK Retired music teacher, worked in music shop last 20 years. Currently enjoying music making online. Classical trained piano.

Active 6d ago
Joined Mar 26, 2024
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