🎟️ PRIZE: FREE SEAT IN THE LYCEUM 🎟️ Pick your cohort. Technical, Business, or Creator. Your call. 🎯 PICK YOUR DOMAIN The domain is yours. Pick something specific. Pick something you'd actually use. A few sparks to get you thinking: - 💻 Code review editor for a specific language and level (junior TypeScript, senior Python) - 📊 Pitch deck editor for pre-seed founders - 🎨 Grant application editor for arts nonprofits - 📄 Resume editor for career switchers into tech - 📰 Op-ed editor for policy publications - 🎙️ Podcast script editor for interview shows - ⚖️ Legal brief editor for civil litigation - 📋 Product spec editor for early-stage PMs - 🎓 Academic paper editor for one specific field The more specific, the better. "Writing editor" is too broad. "Op-ed editor for tech policy publications targeting a policy audience" is right. 🗂️ THE METHODOLOGY If this is your first comp, welcome. Here's what you need to know: This week (and every week) you're learning interpretable context methodology. Folders as architecture. Each file does one job well. Your editor is a folder with five things: - 📄 identity.md (who the editor is, what work they review) - 📐 rules.md (how they critique) - 💬 examples.md (what good critique looks like) - 📚 reference/ (style guides, checklists, frameworks the editor uses) - 📖 README.md (how to use it) Drop the folder into a Claude project. Claude becomes the editor. Reusable. Shareable. Portable. 🔥 THE ANGLE THIS WEEK An editor is NOT a rewriter. An editor doesn't do the work for you. An editor surfaces what's weak and pushes you to fix it. That distinction is the whole assignment this week. When someone hands the editor a draft, the editor shouldn't produce a "fixed" version. The editor should point at the three lines that don't work, explain why, and hand it back to the writer to solve. ✍️ Generic feedback like "consider strengthening your intro" is a fail. Specific feedback like "your intro assumes the reader already knows what a Series A is, but this pub is read by generalists, so lead with the stakes instead of the jargon" is what a real editor does.