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Berlin’s Mentor Call is happening in 15 hours
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Welcome to any new members! Please start by watching this video, which will walk you through how this group works. If you want to upgrade, you can view plans and pricing here: https://www.skool.com/mastering/plans If you want to learn more about how paid membership works, along with curriculum breakdowns, FAQs and more, click here: https://courses.mastering.com/membership_info_skool Cheers, Rob
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How to Book a Mentor Check-in
If any of you are having trouble booking check-ins, or are new to Mastering.com Membership, we've put together a new document that walks through the process of booking a session. (Standard and Premier Members can upgrade to VIP at https://skool.com/mastering/plans to receive Check-ins and access to other benefits) As a VIP member, you can book one Check-in session per calendar month for one on one mentoring. The sessions are in 15 minute increments and are for asking questions or reviewing tracks you are working on, both assignments from the curriculum and personal music. These sessions are open to members to join and view to learn from watching the mentor sessions. Please read this doc carefully for full instructions: https://docs.google.com/document/d/1TWVySVsg6QyOED7G9CVf8HtwAxDWHRSzy5ggTMwm0wU/edit?tab=t.0 Hope to see lots of you on calls soon.
Live Drums vs E-Kits: What Do You Prefer and Why?
In a commercial, release-ready track, do you prefer live acoustic drums or an e-kit? I'm not asking "what's more fun to play" or "what's more authentic." I mean purely from a results and workflow standpoint: consistency, translation, mix speed, revision flexibility, and final master impact. If you're recording a real kit in a typical home or project studio scenario, you're dealing with mic count, placement, phase, bleed, and room tone. In your experience, does the final record actually benefit enough to justify the time, expense, and risk? I have both types of kit, but only enough room to set one up at a time, and the e-kit is much easier to work around. I find that in my studio the acoustic kit's cymbals are much too loud in the final mix compared to the e-kit, but, then again, the e-kit cymbals often feel like they're lacking some character or charm. That might just be my e-kit, though. It's a budget Alesis kit. I'm genuinely curious where experienced ears land on this in 2026. If the goal is a commercial track that competes, do you prefer live drums, an e-kit, or a hybrid (live cymbals with sampled shells, room mics plus triggers, etc.)? What's your default and what makes you change your mind?
You love gear, I LOVE Gear sooo / NAMM 2026: New Gear! Lets GO!
Neumann M 50 V Tube Condenser https://www.neumann.com/en-us/products/microphones/m-50-v Burl Audio BC5000 Bigfoot Optical Compressor https://www.burlaudio.com/bc5000-bigfoot Neve 1073DPX-D https://www.ams-neve.com/outboard/1073-range/1073dpx/ Neve ADA24 https://www.ams-neve.com/outboard/starnet-range/starnet-ada24/ Neve 88R LBEQ https://www.ams-neve.com/outboard/500-series-range/88r-lbeq/ AKAI Professional MPC XL https://www.akaipro.com/mpc-xl/ Rupert Neve Designs OptoFET https://rupertneve.com/products/optofet Elysia Channex Studio https://www.elysia.com/channex/ United Studio Technologies Vintage87 https://unitedstudiotech.com/en/products/ut-vintage87 Solid State Logic UMD192 USB Interface https://solidstatelogic.com/products/umd192-studio Yamaha CC1 USB Controller https://usa.yamaha.com/products/music_production/controllers/cc1/index.html Avantone Pro CLA-Sub https://avantonepro.com/en/products/cla-sub Black Lion Audio MIDI 8 https://www.blacklionaudio.com/store/interfaces/midi-eight/ Black Lion Audio PBR XLR 16F DSub https://www.blacklionaudio.com/store/patchbays/pbr-xlr-16f-dsub/ Heiserman Audio Type 21 https://heisermanaudio.com/products/type-21-microphone
Music links
If you want to share a link to a new release or anything else music related, please post it in this thread. Thanks!
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