Neumann M 50 V Tube Condenser https://www.neumann.com/en-us/products/microphones/m-50-v Burl Audio BC5000 Bigfoot Optical Compressor https://www.burlaudio.com/bc5000-bigfoot Neve 1073DPX-D https://www.ams-neve.com/outboard/1073-range/1073dpx/ Neve ADA24 https://www.ams-neve.com/outboard/starnet-range/starnet-ada24/ Neve 88R LBEQ https://www.ams-neve.com/outboard/500-series-range/88r-lbeq/ AKAI Professional MPC XL https://www.akaipro.com/mpc-xl/ Rupert Neve Designs OptoFET https://rupertneve.com/products/optofet Elysia Channex Studio https://www.elysia.com/channex/ United Studio Technologies Vintage87 https://unitedstudiotech.com/en/products/ut-vintage87 Solid State Logic UMD192 USB Interface https://solidstatelogic.com/products/umd192-studio Yamaha CC1 USB Controller https://usa.yamaha.com/products/music_production/controllers/cc1/index.html Avantone Pro CLA-Sub https://avantonepro.com/en/products/cla-sub Black Lion Audio MIDI 8 https://www.blacklionaudio.com/store/interfaces/midi-eight/ Black Lion Audio PBR XLR 16F DSub https://www.blacklionaudio.com/store/patchbays/pbr-xlr-16f-dsub/ Heiserman Audio Type 21 https://heisermanaudio.com/products/type-21-microphone

Hi everyone, I want to know something. Please, can you tell me the top 5 artists from one country, each being an individual? Fast answer, please.

Two really great and notable items from Warren Huart and Produce Like a Pro this week! Abbey Road gets a new Console system designed by Wade Goeke at Chandler Limited - The REDD Mixing system. A landmark achievement in Audio engineering incorporating both legacy aspects of the Abbey Road mixing consoles and Chandler Limited technologies into a new cohesive mixing system... and its modular!! The blog and video really showcase the new Console! https://producelikeapro.com/blog/chandler-limited-and-abbey-road-unveil-the-redd-mixing-system/ (Look for Multitrack links on this blog page as well) https://youtu.be/zfflb11rrm8?si=QP_vnDKP_W0wJbAB Demo of UAD's new interface complete with a giveaway contest for said interface (UAD 876) and a multitrack session cover of Fleetwood Mac - Rhiannon (feat. Leoni Jane Kennedy) https://www.uaudio.com/products/volt-876#product-features https://youtu.be/H4BfPiQq6jo?si=5NGbVgFTNpTgMptt https://producelikeapro.com/blog/universal-audio-volt-876-review/ (Look for the Rhiannon multitrack links on this blog page)

What should I fill them with? All answers welcome. Budget-friendly answers preferred. These will be open-back, porous traps covered with discount fabric. Cheers!

This club has a nice mix of beginners like me and more experienced people so I think others might benefit from a discussion about my headphone quest. Tell me if you can relate: Context: My current headphones are Beyerdynamic dt 770 pro 80 ohm (not the 250 ohms version, I wasn't too confident my Scarlett 2i2 3rd Gen could drive them), I bought them as an all purpose kind of headphone to start off with: - For tracking (It bleeds the click track a little bit though, so I got cheap in ear monitors for whenever the playback quality isn't very important and only the tempo marking is). - For learning the basics of music production and mixing with the intention of publishing well represented songs (not suuper professional but well balanced music that translates into multiple audio systems). So far I used these closed back headphones for the entire production stage with no Eq correction (they are good enough for recording, tracking and ball parking sound design) and only later - when switching to more of a "mixing" mindset - I place an Eq with a correction curve in the master track I got from github (I am always careful not to render the song with the Correction Eq Curve on): https://github.com/jaakkopasanen/AutoEq/blob/master/results/crinacle/GRAS%2043AG-7%20over-ear/Beyerdynamic%20DT%20770%20Pro%20(80%20Ohm)/README.md (I don't actually use correction software like sonarworks or dsoniq Realphones, I cut costs were I can). The problem is! I have the chronic beginner limitation issue, little frame of reference... I can't really know if these Headphones are serving me well for critical listening or not... I haven't mixed on other headphones yet. Now I am thinking that maybe a pair of open backs might be a significant improvement and might help me even in the learning process, making certain details more apparent, the transient information more obvious which makes compression easier to learn, frequency separation more detailed to help with identifying problematic regions, resonances, with identifying harmonic saturation changes, to perceive stereo image better, etc....