@Joaquin Baldomero Cruz Lucio @Akmal Sabirov @Hina Hsia @Huishan Lu @Lee Tree @Linus Z @Mariel Liang @Mina Min @Sara Li @Madie Zhao @Sherry Zhan , @Denise Zhang @Gulistan Asan , @Khalil Ghacha Great work today with the DDM 33 Seinfeld role-playing! 🎭 Really nice job, everyone — I’m very happy with how the class turned out. 👏 Let’s keep that momentum going! 💪 We’ve got a lot of great classes coming up, and I’m looking forward to them. See you next class! 👋 DOWNLOAD LINK

Released in 1995, “Peaches” landed during a moment when alternative rock was starting to loosen up after the heavy wave of early-90s grunge. Some bands kept the distortion and attitude but added humor and simplicity — and The Presidents of the United States of America leaned all the way into that idea. From the first seconds, the groove is raw and punchy: fuzzy guitar, thick bass, and a tight drum beat that pushes everything forward. The band was known for using modified instruments — a two-string bass and a three-string guitar — which gave their songs that chunky, stripped-down sound. The vocal delivery feels relaxed and playful, almost like someone telling a strange little story rather than performing a dramatic rock anthem. “Movin’ to the country, gonna eat a lot of peaches…” That opening line sets the tone immediately. The lyrics mix everyday images with absurd humor, and it’s never completely clear if the song is about escape, simple pleasures, or just embracing nonsense. Then the chorus hits: “Peaches come from a can, they were put there by a man…” It’s catchy, ridiculous, and impossible not to remember. Musically, the song is built on simplicity — groove, attitude, and a hook that sticks. Instead of complex arrangements, everything revolves around momentum and personality. When the band’s self-titled album arrived in 1995, tracks like “Peaches” helped them stand out in the alternative scene. The song quickly became a college-radio favorite and a staple of 90s alt-rock playlists. Three decades later, it still feels like a snapshot of that era — a time when alternative rock could be loud, weird, funny, and completely unpretentious. Podcast-worthy approved by Coach @Shane Peterson 🎙️