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Town Hall with Nick Allegro is happening in 4 days
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Welcome to any new members! Please start by watching this video, which will walk you through how this group works. If you want to upgrade, you can view plans and pricing here: https://www.skool.com/mastering/plans If you want to learn more about how paid membership works, along with curriculum breakdowns, FAQs and more, click here: https://courses.mastering.com/membership_info_skool Cheers, Rob
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New Years Solutions.
This is the year we fight back. We fight. We battle our demons. Maybe we battle the part of us that scrolls social media instead of making music. Maybe we battle the part of us that overthinks everything. Maybe we battle the voice that says we can’t. Maybe we battle the distractions that pull us away from our goals. Maybe we battle the feeling that we don’t belong. Maybe we fight the voice that always says, “Maybe tomorrow.” And all of us are fighting against a soulless, artificial world. The world is in a strange place right now. It needs your voice. It needs your art. It needs your passion. There are people out there who need to be inspired, and you’re the only one who can do it. Or maybe you’re an engineer. There are artists who need you to help bring their voice to life. And you’re the one who can do it. This is the year we fight back.
Question about the Female Producers Call
I can see in the calendar that there are monthly calls for women, which I think is absolutely fantastic! The call unlocks with a premium membership, but it says it's for TRE in the description, thus the confusion. Are you welcome if you have a Premium membership, or is it only for women who are a part of TRE?
What are you studying right now?
Comment below and let us know what course you’re currently working on. For those who weren’t aware - we have an extensive course library here in the Classroom, some part of paid membership but also lots of free courses.
What are you studying right now?
My beginner experience finding Mixing Heaphones so far
This club has a nice mix of beginners like me and more experienced people so I think others might benefit from a discussion about my headphone quest. Tell me if you can relate: Context: My current headphones are Beyerdynamic dt 770 pro 80 ohm (not the 250 ohms version, I wasn't too confident my Scarlett 2i2 3rd Gen could drive them), I bought them as an all purpose kind of headphone to start off with: - For tracking (It bleeds the click track a little bit though, so I got cheap in ear monitors for whenever the playback quality isn't very important and only the tempo marking is). - For learning the basics of music production and mixing with the intention of publishing well represented songs (not suuper professional but well balanced music that translates into multiple audio systems). So far I used these closed back headphones for the entire production stage with no Eq correction (they are good enough for recording, tracking and ball parking sound design) and only later - when switching to more of a "mixing" mindset - I place an Eq with a correction curve in the master track I got from github (I am always careful not to render the song with the Correction Eq Curve on): https://github.com/jaakkopasanen/AutoEq/blob/master/results/crinacle/GRAS%2043AG-7%20over-ear/Beyerdynamic%20DT%20770%20Pro%20(80%20Ohm)/README.md (I don't actually use correction software like sonarworks or dsoniq Realphones, I cut costs were I can). The problem is! I have the chronic beginner limitation issue, little frame of reference... I can't really know if these Headphones are serving me well for critical listening or not... I haven't mixed on other headphones yet. Now I am thinking that maybe a pair of open backs might be a significant improvement and might help me even in the learning process, making certain details more apparent, the transient information more obvious which makes compression easier to learn, frequency separation more detailed to help with identifying problematic regions, resonances, with identifying harmonic saturation changes, to perceive stereo image better, etc....
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