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111 contributions to Mastering.com Members Club
Cubase 16 Pro
Looks like a nice upgrade. https://www.youtube.com/watch?v=VTMInjI0CgE
1 like • 1d
In dah pocket! 😁 I hope to check the new stuff this weekend.
Monitors or Headphones?
Do you mix with earbuds, headphones, monitors, or all three or two of three? For me, I mainly use a pair of KRK powered monitors but I’ll also use wired earbuds. How about you? What are you using?
4 likes • 15d
I use Adam monitors, headphones with/without Sonarworks SoundID. I've also used the Sonarworks measurement mic. I like to use Tonal Balance Control 3 for referencing as well.
Old Skool
Who else started on a multi-track cassette or even older? I had a Yamaha MT2X back in the day (late 80's - early 90's) It had a built-in six-channel mixer, EQ, and effects send/return connections. I think I replaced the rubber band a couple of times before I got Cakewalk. When I was in the Air Force I used to record friends who wanted to make some demos of their stuff as well as my own things.
4 likes • 19d
My father had an old Akai 4000 reel to reel tape deck, my twin brother I played around with. Just 2 guitars and vocals, when we were about 9/10 years old. Also used an old Tascam Portastudio.
1 like • 17d
@Terry Wellman yeah, the fostex 16 track 👍 I remember when I recorded music in our bass player's basement with that one for a demo. I was the drummer and did the vocals. Recorded stuff until 6 in the morning, which is not good for your performance 🤣 But, good memories 😁👍
Space…The Final Frontier…sans reverb
Things keep moving around in here. Some more than once. I have several IKEA shelves and 2 corner units. I’m in the midst of migrating them into the area that will become my vox booth sometime soon. I have read several articles stating that full bookshelves are good for sound control. I don’t know for certain when it will be complete but I see light at the end of the tunnel and it’s not an oncoming freight train. Then again. Is a studio ever really done? So here are some pics and explanations. I originally shot a video but there is too much movement and some shakiness that can cause one’s stomach to reach AKA Hurlcam. Pic 1. Slant shelf I built decades ago. It has 15 spaces per side. Still serves its purpose. Once I figure where the console is going, I’ll have a better idea where it go…along with another 26 unit rack. Pic 2. These shelves will be migrating downstairs to the vox area. I can’t call it à booth yet per se. Pic 3. Looking from the vertex down one ray from where the drums will live. Pic 4. My console which is yet to be moved.along with my MiniMoog atop a Westlake BBSM-10. That’s a very good jazz base copy. There is a Strat of the same type to the right of kit. Pic 5. My Baby. 1967 Fwnder Tremolux and two bandmaster 2 x 12 cabs. I don’t remember if I’ve said this before but…I bought the lower cab at a garage sale in LaGrange, IL for $5 bucks. It was in good condition. I figured for $5 it was worth it, even if it was empty. I paid the guy running the sale with his wife. I asked why so cheap. He said they were selling everything to move, even stuff that belonged to their son. The son never picked it up. When I lifted it to go in the car, it was heavy as hell. Hmmmm. Got it hom, laid it face down, opened up the back and saw a JBL D120 and an EVM12. Best five bucks I ever spent. Pic 6. my newly modified bass rig. Top head is a Crate B150. These were good amps in the day. This one needs to be recapped. Below that is a Sunn Coliseum Bass head. 320 watts of raw power. This thing is Loud as hell. Next level down is a Crate BX410. 4 x 10”. I bought it two weeks ago for $60. The bottom box is a Peavey 115 Black Widow. It sounds good. A friend came over a couple of days ago with a ‘75 Gibson Grabber and a 64’ Precision. He’s a much better bassist than me. He put it through the paces. Passes with flying colors.
Space…The Final Frontier…sans reverb
1 like • Sep 9
Woow, there's some nice stuff in your room! 😁🤘👍
AI and it's impact on the music industry
I read a very interesting article this morning from the CEO of discmaker regarding AI's impact on the future of music and what it means for independent artists, writers and music producers. Personally I found it very enlightening. Check it out if you get the chance.
2 likes • Sep 1
Sorry, but this is just plain nonsense: "The most important thing you can do with regard to AI as an independent artist is to educate yourself: AI rights, AI learning, AI monetization, and how to protect yourself as a creator." An independent artist always being someone who uses generative AI? As an artist you are the creator, you are the creative person, etc.... AI as the creator VS the creative artist. Generative AI replaces a person who convinces himself/herself that he/she is creative, because the result is always better than he/she can conceive or come up with and there is quick self-gratification. Fast food AI slop VS real music, like Radiohead, Porcupine Tree, Genesis, Pink Floyd, Dolly Parton, Carol King, The Beatles, etc.. So much stuff that sounds way better. AI rights.....what's that? You giving "your" music to train the model? You, never getting full rights? You, not giving credits to real artists? You, never feeling the gratification of creation? Etc... But, that's my opinion. Also, this should not be in the general discussion but in the AI topic 😉
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Richie Drummer
5
246 points to level up
@richie-drummer-4667
Musician (drums, guitar, bass and some keys), singer/songwriter, producer.

Active 1d ago
Joined Dec 3, 2025
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