RSVP'd

@Luiza Milenova I meant to bring this up earlier. Joe E. Silva wrote “The MiniMoog Book” which came out a year ago. It’s pretty good. It contains history of the development, why what circuits were included and where they fell within the signal flow. Plus there are many patch recipes of original recordings. It’s like a manual’s manual.

Logic 12.0.1. I have used Logic for many years and still find new features. Prior to Logic I used a New England Digital Synclavier for around 18 years. Very quick and easy to compose on and do sound design. Still do and slave it. The first seven notes on Michael Jackson's Thriller are all Synclavier. My DAW journey began with Opcode Systems on an original 1984 Mac. Wow have we come a long way over the years!

@Ted O'Farrell I jumped from Opcode to working on a Synclavier 9600 with 64 voices and their 16 track Direct-To-Disk digital recorder in '86. That system was known as the Death Star as nothing could touch it. Not even a Fairlight, which was cool in its own right.

My mains are Westlake BBSM-10’s. https://www.westlakeaudio.com/#:~:text=BBSM%2D15F,resolution%20and%20low%20I.M.%20distortion. I absolutely love these. T Bone Burnett said this about these monitors, “The world would sound better if more music was recorded and mixed on these monitors…” I couldn’t agree more. At some point I would like to find a BBSM-10SWP sub woofer. That would dial it down to 26Hz. Next I have an original pair of Yamaha NS-10’s for my main nearfields. Industry standard of yesteryear. I was recently told that with the growing desire for vintage sound, these are still valuable and desired. I also have a pair of Tannoy PBM-8’s. They’re ok. I bought them before I got my hands on my Yammies. They tend to register further down the bottom end. My last ones are a pair of Auratones. Back in the day, these were my final test before laying mixes onto commercials.