Sam Evans, Cristian Aguilera, Robert Alan, Oyi Sun, Abhi Roy, Ganesh Dawande, Shei Ng, Jenny Slaytor, Laura S, Wendy Hodson, Catherine Marriott, Keith Bayles, Arnold Vaughan, Ismail Hunaid, Charles A. Pridgen Pridgen, Yusuf Sahloub, Chap Chapman A few of you came in after the workshop, so I just wanted to say I’m really glad you’re here. Resolve School exists for a pretty specific reason. It’s not about learning every feature in DaVinci Resolve, and it’s not about editing like a professional filmmaker. It’s about helping busy creators and solopreneurs actually finish long form videos without feeling overwhelmed every time they open Resolve. If you’re new and things feel slow or confusing already, that’s normal. Resolve has a lot going on, and the beginning always feels clunky. Progress here looks like opening the app again, making small improvements, and slowly building confidence, not getting everything right.

Hi, I mainly do video editing with CapCut. But I recently started using DaVinci Resolve. I like it. It's a program with many features. I love learning and exchanging ideas. I'm from Germany.

This is a paid pack, because it’s something I personally wanted in my own workflow and ended up building it. These are finishing LUTs inspired by classic Kodak film stocks and shaped toward a 2383 print look, meant to live at the very end of your grade, not to fix exposure or balance issues. Right now, it’s $9 as a 50% off launch price through the end of the year. On January 1st, 2026, it’ll move to $19 going forward. No pressure at all. If you already have a look you love, great. If you’ve ever wanted a faster way to get to a finished, film-leaning look without overthinking nodes, this is exactly what I built it for. Find it here → This is also the first pack in a small series like this. I’m already working on a Fujifilm stock emulation pack using the same approach, just a very different color feel. If you grab it, I’d love to hear which LUT you end up using most and what kind of footage you’re throwing it on.