I would love for you to join me for a live session next Wednesday, September 16th. - Let's walk through a full client project where I used a lot of interval theory. - The music actually started with just one single interval. - We'll discuss the composition techniques I used in great detail. - Let's see how the initial idea turned into a fully orchestrated 3-minute composition. - All done step-by-step & with live Q&A. You can register right here to join the session. It is completely free, and I hope to see many of you there! ----------------------------------- Many thanks to @Alex Pfeffer who approved this post. Full disclosure: Some of you might know that I run the "Circle of Interval Magicians" community, and if you want to learn more about it, please request the affiliate link from Alex - many thanks. 🙏

Hey everyone, What questions, problems or issues currently bug you - let me know! Music writing, finding companies, not knowing how to handle your socials? What is it?

I'm about to do something my accountant would call stupid. The live calls are the most valuable part of Audio Artist Rise. Two calls a week, two hours each. Four hours of live coaching every week. Eight calls a month. You play a track, you get feedback. You ask a pricing question, you get an answer. Live, from me and from the composers in the room. 20 plus years in this industry, on a call with you, twice a week. Until now the only way in was the full Rise program at $97 a month. From today you can get the calls on their own. $27 a month. Every Tuesday at 6 PM CET. Every Thursday at 10 AM CET. You get the calls, and only the calls. The course library and the call archive (almost 300 recorded calls by now) stay with the full Rise program. Your Zoom link lands in your inbox right after checkout. Join today and the next call is yours. https://www.alexpfeffer.com/programs/live-calls P.S. Yes, I know I could charge more for this. I would rather have you in the room.

WARNING: SCAM!!!! I would like to strongly warn you about a current scam that specifically targets composers. A few days ago, I received an email from a “Mariam Seabrook” at OPUS CONNECT requesting a 20-minute score for a documentary about electric vehicles. I received a contract and was supposed to be paid 8,000 CHF. After I submitted a first draft, 4,000 CHF was transferred to me, but it was withheld by a bank called northerntrustfiduciary.com for review due to international money laundering concerns. Now I’m supposed to transfer 306 € for verification and, later on, scan my ID and submit it via the website. This all seemed pretty strange to me!!! I looked into it further and was alerted to the scam by several sources. So, dear colleagues, please don’t fall for this extremely insidious scam!! Best regards, Andreas

Let me introduce myself, my name is Ken Stavis. I am from Bloomfield, Connecticut. I am a church musician - keyboard player - piano, Hammond organist - drummer who started out guitar. I am looking to get music into television, film and advertising. Before that what people didn’t know about me was/is that I love to watch and listen to humorous commercials on television and radio. Never thought about the music until I got into Sync Licensing.