Hi :-) Just because it's real cheap right now: Anyone using Meteor from UVI? I have good 53 years old Rise & Hit as everyone. Just got Oblivion but I have checked mostly pulses and bass in it. In a nice community of active and prolific sync music composers the overall agreement is "I already have mine ready, use them often, I don't waste time messing with that anymore" But here we have skilled and prolific Alex who continues to use Phoenix. So: Would it be worthy giving a try to Meteor at cheap 39 usd? promotion has 20 hours left, just throiwing this here in case anyone is wandering around. Cheers

lol subject says it all, how long do you spend looking for risers? Seems like it's hard to find a good one in a pile of presets. Transitional elements in general have been a difficult spot for me. Any tips on finding useful ones in less time?

Hey all, here is the promised Replay of the Scaling Session with Frank. If you have any question, feel free to reach out to Frank for support. I am pretty sure he will answer your questions. Honestly, I had a few lessons about a similar system in the past but in these 45 mins with Frank I understood more about it than ever before 😅. Rest assured, Frank has more spells available for you, ... so if you are curious about this very helpful music composition system, make sure to check out his Circle of Interval Magicians. Let us know, what do you think about scaling? Do you have questions? Also, feel free to post your examples you created with his method.

Hey everyone! Just a quick heads-up — Frank is hosting a special live session today all about turning simple major and minor triads into that magical Disney-like sound using his Interval Theory techcnique called "Scaling." 🎼🔮 This isn’t something you’ll find in traditional music theory books — it’s a unique method straight from Frank’s toolbox. And trust me… you’ll want to see this! 👀🔥 Here’s what you can expect: ✨ Live walkthrough of the Scaling technique ✨ Many musical examples ✨ Q&A session where you can ask anything ✨ A brand-new way of thinking about intervals for your next cue If you’re serious about leveling up your writing — you do NOT want to skip this one. 😅✨ Your future Disney gig might start right here! 👉 Join the free live session today at 6pm CET! 🎬🎧

Hey Audio Artist Academy fam, I need to talk to you about something that's been on my mind. When I introduced the monthly cash prizes for our top members, my intention was to reward your dedication and activity. But honestly? It backfired. I've noticed the energy shift. It feels like some of you have been chasing the money rather than genuinely connecting and helping each other grow. It got to a point where some members even created fake accounts to reward their own posts and climb the rankings faster. That's a huge red flag and completely goes against what we're building here. (Yes, I have proof for this!) I've also seen members leave, and I can't help but think the competitive prize structure and this kind of behavior played a role in that. That's not what this community is about, and I take responsibility for creating a system that encouraged the wrong kind of engagement. So we're making a change - effective immediately. The money prizes are gone. Instead, here's the new monthly recognition for our top 3 most active members: 🥇 1st Place: 30-minute 1-on-1 call with me (feedback session, Q&A, whatever you need) 🥈 2nd Place: Written feedback or voice note on one of your tracks 🥉 3rd Place: Community spotlight - I'll feature your work in a Skool post here and give you some exposure These rewards are about learning, growth, and visibility - not cash. I want this to feel like recognition, not a competition that divides us. Thanks for understanding, and let's get back to what matters: supporting each other and making great music together.