I had a few clients calls which allowed me to get into a suit and press the sartorial buttons a bit. They resulted in the rare new client agreement during summer, allowing me to classify that these calls were well worth the effort. • Suit — SJ-017, SL-026 (Suitsupply): A mid-blue Suitsupply P7004 suit in a summer-weight wool, silk, and linen plain weave, pairing the half-lined natural-shouldered jacket with high-rise side-adjuster trousers. The matte cloth and subtle pattern scale keep it business-formal enough for the video conference while the fabric blend reads lighter and more relaxed than worsted wool. • Shirt — DS-048 (Charles Tyrwhitt): An ivory Charles Tyrwhitt non-iron twill dress shirt in soft 2-ply cotton, cut slim with a classic point collar and French cuffs. Its clean, pattern-free front and formality score of 5 make it a crisp canvas for the textured shantung tie and statement cufflinks. • Undershirt — US-019 (Sene): A slate-blue Sene crew-neck undershirt in heavy Supima cotton and elastane. Under an opaque ivory dress shirt, it adds comfort and structure without competing visually with the tailored layers. • Tie — NT-057 (Rampley & Co): A blue, cream, and ecru striped Rampley & Co shantung silk tie, 3-fold, self-tipped, hand-rolled, and intentionally textured. The matte slub of the shantung keeps the suit from feeling flat on camera; tie it in a clean four-in-hand to suit the classic point collar and the tie’s thicker hand. • Pocket Square — PS-041 (Fort Belvedere): A Fort Belvedere silk-wool pocket square in mohair blue with a burgundy, green, and yellow medallion-and-paisley border. The semi-silky hand and hand-rolled, hand-screen-printed finish give it a refined but slightly softer presence than the darker PS-040, making it a better match when you want the pocket square to echo blue tailoring while adding a warm burgundy accent. A puff, crown, or upside-down puff fold would show off the border nicely without making the square look too formal.