What does the world need?

I'm working on a challenge, it's the third week by now. The goal is to compose a film score for a piece of the movie: the Revenant. I tried to reflect the harsh, frozen environment surrounding the main character and the slow, seemingly endless journey through an unforgiving landscape. The icy outdoor scenes are underscored by double bass and deep cinematic percussion, providing weight, tension, and a constant sense of threat. Repetitive, restrained musical patterns are used deliberately to emphasize monotony, exhaustion, and isolation. The cave scene receives special attention in terms of orchestration. Here, the focus shifts to a more intimate sound world: a soft piano melody combined with subtle choir textures highlights solitude within the narrow space, offering a fragile sense of shelter from the brutal night cold. Sustained tones and minimal harmonic movement convey inner silence, vulnerability, and the delicate balance between survival and collapse. Although i still have one week left i'm happy to share my work with you!

This is officially my first Content Post of 2026. I arranged some harms in Collab with a TikTok friend of mine and fellow singer Jessica Finch on the song Walking In The Air from the movie The Snowman. I first heard this song from Nightwish, and loved it. Her voice is so beautiful on this song, I couldn't resist. On the technique side, this clip is a prime example of the importance of Blending. Not just the voice itself, but making sure the vibrato is lined up as close to perfect as humanly possible where applied. The Octave unison at the start was actually a last minute decision as I was recording the BASS part for this arrangement. Everytime I listen back to it, I get CHILLS!! Lemme know if you feel it too.