Something about those 4-note chords on the right hand, made an interesting piece to work with. Having to keep that entire line going the entire time, while doing left hand melodics, was a super challenge for me. I had to really channel my coordination big time with this one. I present my latest idea piece: Jazzy Soul Refrain

Despite its somewhat simplicity, this was very difficult to pull off recording. When I first joined V1B1N, I was looking at @Rositsa Aleksandrova 's segment on inversions, just to peek. Then I thought back to this freestyle I developed years ago in Georgia (the second portion), then another freestyle months after that first one in that year, also in Georgia (the beginning portion), and a freestyle I came up with last year here in Tulsa (end portion before the final closer). What they have in common: experimentation with inversion chords. But not just chords are inverted, but melodic lines swap octaves too sometimes, see if you can detect where 😉. Thought I'd medley them together as one full length piece. I title this: MEDLEY OF THE INVERSIONS.

I freestyled this a couple of years ago, maybe a few using the Overdrive Timbre on my Keyboard (032). It sounded far simpler than this as I was experimenting with it. After working on it a while, I set it aside. Today, I came back to it, and now... here it is recorded. I title it... SONG OF THE OVERDRIVE TIMBRE

C Major, but make it Swang. They say speed isn't everything, but it definitely plays a part when you're not trying to showoff. I rely more on multifaceted precision, which can sometimes give the illusion that I'm playing very fast, (because you're watching the speed of my fingers) when I'm reality, I'm executing a flow that's measured to the tempo I chose in my head (more evident when you listen to what's being played and how.) My Mindful Detachment was a bit more explosive than usual, I bumped my knee under my desk, lol (I'm ok tho).