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Welcome to any new members! Please start by watching this video, which will walk you through how this group works. If you want to upgrade, you can view plans and pricing here: https://www.skool.com/mastering/plans If you want to learn more about how paid membership works, along with curriculum breakdowns, FAQs and more, click here: https://courses.mastering.com/membership_info_skool Cheers, Rob
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How to Book a Mentor Check-in
If any of you are having trouble booking check-ins, or are new to Mastering.com Membership, we've put together a new document that walks through the process of booking a session. (Standard and Premier Members can upgrade to VIP at https://skool.com/mastering/plans to receive Check-ins and access to other benefits) As a VIP member, you can book one Check-in session per calendar month for one on one mentoring. The sessions are in 15 minute increments and are for asking questions or reviewing tracks you are working on, both assignments from the curriculum and personal music. These sessions are open to members to join and view to learn from watching the mentor sessions. Please read this doc carefully for full instructions: https://docs.google.com/document/d/1TWVySVsg6QyOED7G9CVf8HtwAxDWHRSzy5ggTMwm0wU/edit?tab=t.0 Hope to see lots of you on calls soon.
SSL to Launch a NEW Professional Production Tool at NAMM
SSL is about to shock the world AGAIN. Something NEW coming to 2026 NAMM and it seems BIG.🤔Unveil 1/22/2026. https://solidstatelogic.com/media/solid-state-logic-to-launch-new-professional-production-tool-at-2026-namm-show
Live Drums vs E-Kits: What Do You Prefer and Why?
In a commercial, release-ready track, do you prefer live acoustic drums or an e-kit? I'm not asking "what's more fun to play" or "what's more authentic." I mean purely from a results and workflow standpoint: consistency, translation, mix speed, revision flexibility, and final master impact. If you're recording a real kit in a typical home or project studio scenario, you're dealing with mic count, placement, phase, bleed, and room tone. In your experience, does the final record actually benefit enough to justify the time, expense, and risk? I have both types of kit, but only enough room to set one up at a time, and the e-kit is much easier to work around. I find that in my studio the acoustic kit's cymbals are much too loud in the final mix compared to the e-kit, but, then again, the e-kit cymbals often feel like they're lacking some character or charm. That might just be my e-kit, though. It's a budget Alesis kit. I'm genuinely curious where experienced ears land on this in 2026. If the goal is a commercial track that competes, do you prefer live drums, an e-kit, or a hybrid (live cymbals with sampled shells, room mics plus triggers, etc.)? What's your default and what makes you change your mind?
New and Notable from Produce Like a Pro - Abbey Road's New Console and UAD's new Interface demo including Multitracks for a Cover of Fleetwood Mac Rhiannon
Two really great and notable items from Warren Huart and Produce Like a Pro this week! Abbey Road gets a new Console system designed by Wade Goeke at Chandler Limited - The REDD Mixing system. A landmark achievement in Audio engineering incorporating both legacy aspects of the Abbey Road mixing consoles and Chandler Limited technologies into a new cohesive mixing system... and its modular!! The blog and video really showcase the new Console! https://producelikeapro.com/blog/chandler-limited-and-abbey-road-unveil-the-redd-mixing-system/ (Look for Multitrack links on this blog page as well) https://youtu.be/zfflb11rrm8?si=QP_vnDKP_W0wJbAB Demo of UAD's new interface complete with a giveaway contest for said interface (UAD 876) and a multitrack session cover of Fleetwood Mac - Rhiannon (feat. Leoni Jane Kennedy) https://www.uaudio.com/products/volt-876#product-features https://youtu.be/H4BfPiQq6jo?si=5NGbVgFTNpTgMptt https://producelikeapro.com/blog/universal-audio-volt-876-review/ (Look for the Rhiannon multitrack links on this blog page)
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