While studying the SSL 4000 E Channel Strip, I stumbled on info that completely changed how I think about music production process. It defined my new direction where I want to go next in my journey -> dive deeper into producer skills of sound selection.
It turned out, in the past engineers didn’t rely on endless plugins to fix a mix later.There was no “I’ll repair it in mixing” approach. Instead, they relied heavily on the quality of the source and the great sound selection so sounds fit together without forcing.
Once it hit the SSL console and a few pieces of outboard gear, that was basically the mix. No 50 plugins. Quick mixing decisions for each channel. No endless tweaking. Just great sounds going in. I was like “whaaaat… only SSL console?”
Suddenly I caught myself doing exactly that, relying heavily on forcing the sounds to fit together later in mixing. I realized I have absolutely no strategy in sound selection. It cannot be just “oh I like it”.
So, that it's one of the most important lessons in this March 2026. Focusing now on new direction, on how producers are good at the sound selection. How to do it.