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Owned by Zedan
Turning young hustlers into jacked V8s.
Creators HQ is an elite training ground for creators who treat their craft like art, their camera like a weapon, and their content like a passport.
Rascals Education Community
14.2k members • Free
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516 contributions to The Creators HQ | by Zedan
3d •
CREATORS HQ 2.0 IS COMING.
I went back through all our group calls. Every question. Every problem you got stuck on. The same struggles kept showing up. So I'm rebuilding the entire Classroom around what you actually asked for. Camera fundamentals. The full DaVinci system. B-roll. Audio. Content strategy. Storytelling. All of it step by step, structured so you can follow it in order or jump straight to what you need. No fluff. Built from your real questions. Before I lock it in, I want to hear from you one more time. Drop a comment: what is the biggest problem you currently want us to help you solve as a creator? If it's real, it goes in the Classroom.
5d •
Zedan please watch this
Hey Zedan, quick question about using your PowerGrade/LUT workflow with iPhone footage instead of camera Log footage. I shoot most of my content on iPhone, and I want to make sure I set up DaVinci Resolve correctly before applying the PowerGrade/LUTs. In your “Important Tip” video you go through the project/color management settings, but I assume some of those settings should be different for iPhone footage. What would you recommend for: - standard iPhone SDR footage, - iPhone HDR/Dolby Vision footage, - and ideally Apple Log if I start shooting that way? Specifically, what should the project color management / input color space / timeline color space / output color space be so your PowerGrade works as intended? Also, would you recommend shooting Apple Log on iPhone if the goal is to get as close as possible to your grading workflow? I also have some already-edited/exported iPhone footage from CapCut in SDR/Rec.709. Would you treat that differently from original iPhone camera files when using the PowerGrade? Thank you🤝
1 like • 4d
I’d definitely shoot Apple Log if you want to get closest to my grading workflow. For SDR/CapCut footage, treat it as Rec.709. For HDR/Dolby Vision, convert to Rec.709 first. Apple Log will give you the most flexibility with the PowerGrade
6d •
Question: Input vs Output
How many hours a day do you put in, into making content and business @Zedan Mutlu ?
2 likes • 6d
Every waking moment where I can to be honest. If im not training, sleeping eating or hanging out with family, its business
10d •
MONTHLY MASTERMIND CALL THIS TUESDAY 🎥
Boys, we’ve got another call this Tuesday at 10:00 AM New York Time. If you want me to review your content on the call, post it here beforehand so I can go through it live and give you my feedback. Bring your questions too. Content, filming, editing, personal brand, growth… whatever you need help with. See you all Tuesday
0 likes • 6d
@Noah Ambro Yes
8d •
WATCH IT
Hey Guys. Now im focusing on my personal instagram before starting a brand and just created the first video to it. Can you check it out please and give me a feedback? Please take into consideration I still have to make the colorgrading part but I dont Zidane’s luts+powergrading. Thank you🤝
1 like • 8d
I’d definitely work on making this look more professional bro. Right now it feels a bit too basic and doesn’t really grab my attention. The music is a big part of that too. You need something that catches people immediately and adds emotion/energy to the video. This track isn’t captivating enough. Better music + cleaner visuals/editing will already make a huge difference.
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