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I'm doing something I've never done in this format before. Today at 5:00 PM CET, I'm writing a complete trailer track from scratch, live, in 3 hours. Blank session to finished mix. Nothing pre-planned. Here's what we'll cover: → Track structure setup → Melody development from zero to a full theme → The sample libraries I recommend for trailer music → How to create signature sounds → Full production and arrangement in real time → Mixing techniques to make it sound release-ready General Admission: $197 Audio Artist Rise Members: $97 (please contact me for discount) I'm keeping the room small so I can actually interact with everyone and answer questions live. Replay is included if you can't make it live. 👉 Reserve My Spot 👈 Who's in?

Hell all, I've finally gotten around to building a website.. I was wondering what everyone thought as far as what is 'industry standard content' for cinematic/trailer music? I have just a big hero image with some music samples and contact form/socials. IS this good enough for a start? I'd like to see other's sites if they are working out for you. Thanks! Here's my site so far: EARTH OCTAVES P.S. Sorry if I mis-categorized this post. I figured music websites are business related?

I’m genuinely curious how most musicians here are generating their revenue. It’s a conversation I often have with members of my team, because the answer says a lot about positioning, leverage, and long-term strategy. Are you relying mostly on live shows, publishing, streaming, production work, brand deals, or something else entirely? I’d love to hear how you’ve structured it.

Hey everyone! I'm trying something new here. I want to give you a quick recap of what we cover in our live coaching calls, so you can get the key insights even if you couldn't make it. Think of these posts as your cheat sheet for each session. Let me know in the comments if you find this helpful! If you're not part of Audio Artist Rise yet and posts like this make you curious about what we do in the live calls, check out the program. We do multiple live coaching sessions every week covering everything from trailer music production to game music careers, business strategy, and more. You can find all the details on the Audio Artist Rise page. 🎵 TRAILER MUSIC COMPOSITION FUNDAMENTALS One of the biggest lessons from this session was about simplicity. We did a live deconstruction of a Tim Stoney track from his Epic Score album, and it reinforced something crucial: power doesn't come from complexity. The track we analyzed used a straightforward approach. The chord progression stayed on the root chord (A minor) for extended periods, moved to the relative major (F), and back. Nothing fancy, but incredibly effective. The rhythm stayed consistent throughout, which is the anchor that allows for harmonic and melodic variation without losing the listener. The melody followed a simple pattern that repeated with slight variations. It wasn't about introducing new melodic ideas constantly. It was about stating a theme and developing it while keeping the rhythmic backbone identical. When we recreated something similar from scratch, it took about 30 minutes to get close to that level of intensity using only 12 tracks. That's the point: you don't need 50 tracks to create massive trailer music. You need the right sounds and smart arrangement. 🎛️ ORCHESTRATION AND LAYERING STRATEGY For choirs, a simple but effective technique is to write your main melody in the women's section, then copy it down an octave for the men. This creates an instant wall of sound without complicated voicing. You can refine it later by opening up the lower register if it sounds too muddy (too many thirds stacked in the bass range), but as a starting point, it works.