Activity
Mon
Wed
Fri
Sun
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Jan
Feb
Mar
What is this?
Less
More

Memberships

Master The Workflow

143 members • $9/m

10 contributions to Master The Workflow
Quiz submission issues
Hi there, I'm having an issues with submitting my quizzes. The message "Error: invalid response from server" pops up. I've tried from a couple of different devices but the same issue occurs. It worked once (for Module 4 - lesson 1) but has failed since going back for Module 1 quizzes. I was wondering if you knew why this is happening?
0 likes • 6d
@Raul Hernandez we’ll look into this and report back what we find and when it’s fixed.
Flex that Frame!
Hi Edit Excelente’s! I'm prepping a new show and just wanted to ask your advice on a quick question: The assembly editor (editor has not been assigned yet) is considering using FrameFlex to crop and zoom his HD 1920x1080 dailies to match the framing leader, instead of dropping a crop/zoom/mask video effects on the timeline. Does that raise any red flags for anyone here? Best, Matt
1 like • 6d
I don’t like FrameFlex or Source Color at all. They tend to not refresh when used in group clips, and they’re harder to catch when I need to do VFX turnovers.
If Things Are Slow, This Is a Market You Should Know About
I wanted to share something that’s come across my radar as a potential work opportunity, especially for anyone feeling the slowdown in traditional film and TV right now. There’s a new market exploding around vertical shorts / micro-dramas. You’ve probably seen pieces of this already on TikTok, ReelShort, DramaBox, ShortMax, etc., but what’s happening behind the scenes is interesting. These platforms are producing scripted, episodic content designed for mobile: - Episodes are typically 1–3 minutes - Seasons can run 30–75 episodes - Content is bundled and sold directly to users inside apps - And yes — these shows are being edited by real humans This isn’t a gimmick. It’s becoming a full-on production ecosystem with producers, production companies, schedules, deliverables, and post workflows. Different from long-form TV, obviously — but still very real work. Here’s a link to the search I did which gives you a broader overview of the space so you can get the lay of the land:👉 CLICK THIS LINK If things are slow for you right now, I’d strongly encourage you to: - Click through all the source links - Start noticing producer names and production companies - Look up where they’re based - And yes — do the footwork and get your resume in front of them Just like any other corner of our industry, opportunities don’t magically appear. You have to follow the breadcrumbs, make connections, and show up prepared. Is this the same as cutting a studio feature or prestige TV series? No. Could it be a way to stay working, build relationships, and gain experience in a rapidly growing sector? Absolutely. At the very least, it’s worth understanding where parts of the industry are heading — especially when audience behavior (mobile-first viewing) is driving real dollars and real production. Hope this helps some of you see another door that might be worth knocking on.
2 likes • Jan 9
DramaBox is one of the companies producing verticals. I believe they have offices in Pasadena.
How to Create Title Case EDLs
For those who don't know, EDLs out of Avid default to being ALL CAPS. This goes back to spec compliance with CMX3600 and GVG EDLs. Nowadays, this is less important as most conform systems are computer based and not as strict. It also used to be that most camera manufacturers always created tape names that were all caps, so it was a none issue. E012C0021_250902_X01534 is an example of a tape naming convention that is fine. For those who don't know what this tape name is, I'll break it down. E012C0021 means, Cam Roll E012, Clip 21. 250902 is the shoot date: 09/02/2025 X01534 is unique identifier which is usually an abbreviation of the camera serial number. That said, there is a new camera naming convention that I've been seeing used lately and it in includes one lower case character. An example of this is A_0165C007_250911_095758_h1EGB You can see that the last h is lowercase. If you use the EDL Importer to create plates as ALEs, this will create problems because ALEs are case sensitive. Because Avid defaults to converting all EDLs to uppercase, it will display this name as: A_0165C007_250911_095758_H1EGB However, it is possible to change this. There are template files for each EDL that you can modify. You'll find these templates at this location on your computer: /Applications/Avid Media Composer/SupportingFiles/EDL_Manager_Templates/ I always modify both the File32 and File129 template. To do this, first close Avid if it is open and right click on those files one at a time and I open them with BB Edit. At Line 20, you should see toupper_conversion TRUE * Convert all comments and titles. Change TRUE to FALSE and save the file. Now when you export EDLs, your markers, reel names and all other text will be the normal case as it was entered. If you find the EDL Importer is giving you errors with using ALEs for subclips, this should be the first step in trouble shooting. Here is a link to Avid's help forum if you need additional help https://community.avid.com/forums/t/185759.aspx
Media Copy
When I copy the media to drives for the episode editors, I use Automatic Duck Media Copy, because I’ve had issues with Consolidate. Do you use any other software or workflow for this? Thanks!
1 like • Nov '25
The problem with Consolidate is that it creates a new File ID (which is not the same as File Name). Because of that, consolidated media won't automatically relink when you send it somebody with the same sequence. Automatic Duck Media Copy is a good tool which will find the original media and copy that. For whatever reason, it never worked well with Avid bins referencing media on a NEXIS, but the easy work around was to export a linked AAF and then run Media Copy on that. There is also a program called MDVx, which is free and supposed to work well, but I've never used it. The other way to properly copy the original Avid media and have it automatically link up is to export an AAF, and set the media to go to a folder and set it to copy as opposed to consolidate. The media will link up when shared with other people because in this case, the Avid is aggregating and copying that original media without changing the File ID.
1-10 of 10
Richard Sanchez
3
42points to level up
@richard-sanchez-9124
Assistant Editor since 2008, VFX Editor since 2018. Post Production Workflow enthusiast.

Active 4d ago
Joined Jun 23, 2025
Alhambra, CA
Powered by