Hi all! I'm excited to be part of this new community. Just a question: I purchased the Feature Film Assistant Editor Immersion course towards the end of 2022. Now that MTW is being hosted here on Skool, how do I continue to access this course? Currently the "Classroom" tab is prompting me to purchase the course again. I'm sure others may have run into similar bumps while transitioning to this site? Thanks!

Hi there, I'm having an issues with submitting my quizzes. The message "Error: invalid response from server" pops up. I've tried from a couple of different devices but the same issue occurs. It worked once (for Module 4 - lesson 1) but has failed since going back for Module 1 quizzes. I was wondering if you knew why this is happening?

Quick heads up: The certification quizzes for Feature Film Assistant Editor Immersion are live again. If you’re enrolled in the full course and want your Certificate of Completion, you’ll find the link to all the quizzes in the Module 1 → “Before You Begin” section under "Resources" at the bottom of the page. There are 131 questions total, and you need an 80% overall score to pass. You can take them however you like. One at a time, all at once, in any order. You can also retake quizzes as many times as needed. NOTE: Passing is required for Editors Guild reimbursement, if that applies to you. Thanks for your patience while we got this together. Onward to the big edit bays! 🎬✂️

Hi Edit Excelente’s! I'm prepping a new show and just wanted to ask your advice on a quick question: The assembly editor (editor has not been assigned yet) is considering using FrameFlex to crop and zoom his HD 1920x1080 dailies to match the framing leader, instead of dropping a crop/zoom/mask video effects on the timeline. Does that raise any red flags for anyone here? Best, Matt

I wanted to share something that’s come across my radar as a potential work opportunity, especially for anyone feeling the slowdown in traditional film and TV right now. There’s a new market exploding around vertical shorts / micro-dramas. You’ve probably seen pieces of this already on TikTok, ReelShort, DramaBox, ShortMax, etc., but what’s happening behind the scenes is interesting. These platforms are producing scripted, episodic content designed for mobile: - Episodes are typically 1–3 minutes - Seasons can run 30–75 episodes - Content is bundled and sold directly to users inside apps - And yes — these shows are being edited by real humans This isn’t a gimmick. It’s becoming a full-on production ecosystem with producers, production companies, schedules, deliverables, and post workflows. Different from long-form TV, obviously — but still very real work. Here’s a link to the search I did which gives you a broader overview of the space so you can get the lay of the land:👉 CLICK THIS LINK If things are slow for you right now, I’d strongly encourage you to: - Click through all the source links - Start noticing producer names and production companies - Look up where they’re based - And yes — do the footwork and get your resume in front of them Just like any other corner of our industry, opportunities don’t magically appear. You have to follow the breadcrumbs, make connections, and show up prepared. Is this the same as cutting a studio feature or prestige TV series? No. Could it be a way to stay working, build relationships, and gain experience in a rapidly growing sector? Absolutely. At the very least, it’s worth understanding where parts of the industry are heading — especially when audience behavior (mobile-first viewing) is driving real dollars and real production. Hope this helps some of you see another door that might be worth knocking on.