@Kipley Wentz and @Emmy Okoye you're both asking exactly the right questions, and honestly, this is the most important conversation we can have here. What you're describing is real. Most of what you see online is just isolated moments stitched together, cool-looking clips with no continuity, no authorial voice, no story logic. That frustration is completely valid, and it points to a gap that most AI tutorials never address. But here's the reframe I want you to hold onto, and this is the core of what I'm teaching in this training: You are not an AI prompter. You are an AI Director. Think about what a director actually does on a film set. They don't perform every shot themselves, they have a crew, tools, and technology doing the heavy lifting. But they decide what story is being told, they decide how it's told, what the camera sees, what gets cut, what stays. They say yes to this angle and no to that one. They bring the unified vision that makes a Jackie Chan fight scene feel unmistakably like a Jackie Chan fight scene, not the stuntmen, not the camera operator. That's your role with AI. The AI is your crew. A very powerful, sometimes unpredictable crew, but your crew. This new update is a perfect example of what I mean. It doesn't hand you a finished scene. It hands you options, segments of an action sequence that you then evaluate, select, reject, and assemble. That selection process is your creative voice. Which moment do you keep? Which do you cut? How does this beat lead into the next one? Those decisions, made deliberately and consistently across your entire project, are what create continuity, style, and authorial identity. The pipeline, the consistency, the "how do we get from Scene 1 to the end" that's exactly what we're building here. It's not magic, it's a repeatable directing workflow. And it starts with you owning the role of Director, not just hoping the machine surprises you with something good.

@Kipley Wentz SHORT ANSWER: By controling the input and controlling the output. The skills needed for each are: - INPUT: Learn how to Edit Images. When you can control the images you put in each panel, you control your animation - OUTPUT: Learn how to Edit Video. When you know how to pick the best from what you get in AI Generated Content, you can put together a story. Here is an example. Both of these animations are 1 min long. - The first one is going with what AI gave me using Utopai - The second one is me selecting and editing, putting together the right shots at the right times.

@Mark Burrows Haaa --- well, if that software tells the story exactly the way you want it, then you don't need to learn anything else. Here is how you can upgrade after finishing this training. The subtle difference that makes a HUGE DIFFERENCE is the ability to Visualize a better version, and be able to execute it with good editing, and sound design

And of course I'm looking forward later to see the action scene,After I release the training on it, I'm still working on mine

@Kipley Wentz hahaha

@Michel Diamantis have you tried SeedDance 2? That's the one I'm going to be using for the animation of my action sequences. Apparently it is amazing.

@Michel Diamantis it is not out there yet, it was launched in China, and it appears that will be launched mid March or April worldwide

@Cathy Ferguson maybe you can't afford it for now but it seems to me that in the future if you could afford it, you would happily hire someone to do the AI productions for you, correct? That is exactly my point with this: there is demand. I have demand for it and I also know at least three more friends willing to hire someone who is good at it. Good, meaning that the work doesn't look generically made with AI