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Poll Question (Please answer)
Which of these production techniques do you struggle with more? Answering this will help us focus our teaching for any future webinars for y'all! A) Compression B) EQ Comment below 👇👇👇
1 like • Jan '23
compression, it's like I can understand the concept, but not much more than that.
Sibilance and EQ issue
I’m having a hard time getting rid of sibilance by using an EQ plug in which is said to be good, without it making the audio sound fuzzier or almost like compressed too much. So rly I have a sibilance issue I’m tryna get rid of without effect anything else, anybody know more than me lmao?
2 likes • Sep '22
Sibilance is normally around the 7kHz area, so sweep around there with a parametric EQ, then maybe boost 3 and 10 k ish to add some presence back in, but go easy at 3k
High end distortion on phone
Hi everybody, listening to my revised mix on my phone and I hear a lot of issues, but the one that is most prominent is distortion in the high end. I've composed a piece with mainly an old vintage analog string synth- which makes the most beautiful sounds, but as I've pumped up some of the violinesque sounding synths they've begun to distort pretty terribly on playback through the iphone. I'm expecting it to be less than perfect on that device but this is clearly something that needs attention. Any and all suggestions and thoughts on this are so very welcome. Thank you! Here is the section in question-
1 like • Sep '22
the distortion isn't in the high end, I fed it through EXPOSE and looked at the mid side information, in the side there's a massive bump at 100Hz of 17dB and below that lots of sub information in the side image, make your bass frequencies mono so they don't bleed into the stereo field or side information, and the distortion is mid as the high end information drops off from 1kHz onwards.
0 likes • Sep '22
I notice that's just say the intro stage, so if you were to say maintain that sonic eeriness there you could automate a high low filter for the drop, but in my opinion, it needs to be re-balanced and some filtering and dynamic processing needs to be applied.
Translation.....
I don't know if anybody has noticed yet, after I finished my mix, I tried it out on a couple of systems, the main thing I noticed was the translation and the fact it doesn't distort on my phone, so in the Day 3 training session @Caleb Loveless said.......Secret tip. Be at -15 RMS after EQ. -12 RMS after compression, -9 RMS after limiting. And thus it turns out, these do appear to be the magic numbers.....
1 like • Aug '22
@Torhaile Bownes it was the fact it didn't distort on my phone speaker that was a real eye opener for me.
0 likes • Aug '22
@Nina Bhimadolu I think you can change the metering, I did a post with free metering tools, that's what I've been using.
My Volume Only Mix - 'Took Your Time'
Hi folks. Just spent some time yesterday and today to duplicate my project and do a volume only mix. My main take away from the sessions was how important it was to get a great mix with just volume prior to going in with the plugins so wanted to give that a bash! https://www.dropbox.com/s/y51woamm40ebx5w/Took%20Your%20Time%20-%20Steve%20Allen%20-%20Volume%20Only%20Mix%283%29.mp3?dl=0 Hoping to work through the mix process over the next few days if I can using this as a basis. Was really insightful doing a volume only mix as I realised some of my original levels were all over the place section to section 😅 (my initial rough volume balance must have been very rough!) So this will provide a much better baseline for my mix once I start EQing and compressing. Started by doing a good gain stage to get everything -12db to -18db ish and then went through my vocal tracks and fixed any volume bumps and dips manually in place on the track with the crop tool etc (think this step is called clip gain?) and cross faded the bits together after to avoid the popping that can occur - x button in studio one!). Applied Waves Vocal Rider after this also just as an extra leveling step & I have also used Waves Tune Real Time to do some light, natural style tuning correction on my vocals. Then set all faders to off, kick to 0 and went through to get the levels nice + some panning i.e. rhythm guitars & vocal doubles set left and right. Hope this is sounding ok/good at this stage. If I am brave I will bake these volume changes in for the next stage! Any feedback greatly appreciated 🙏 (this track has been my pet project for a yr or 2 while learning to record, produce, edit and mix so will be great to move forwards with it) Am looking forward to doing EQ, compression and some delay/reverb next and then some automation to finish it off mix-wise. ✌️
1 like • Aug '22
@Steve Allen I like the baked in reverb sound, I agree with that decision, they would be dry and probably lifeless without.
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Jim Allen
5
251points to level up
@jim-allen-1353
Lorry Driver, White Goods installer, occasional DJ and Music Producer

Active 999d ago
Joined Aug 17, 2022
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