What is UNLICENSED all about ?
UNLICENSED is based on 3 things. The 3 Pillars: 1. Permissionless Action 2. Presence 3. Self-Lead I felt like I owe you explanations. So this is me expanding upon those 3 pillars. 1. Permissionless Action-Taking Reject the default path. Move without waiting. Build without asking. This pillar is about cultivating a bias toward action and dismantling the invisible scripts that keep you stuck in “safe” but soul-numbing careers or absurdly limiting lifestyles. It’s about choosing your own hardship — even if it’s messy, nonlinear, or unconventional. What it includes: - Unlearning the default: Challenging inherited beliefs about success, prestige, and “doing it right” - Action-bias: Build before you're ready, speak before you're perfect, move before you're certain - Ruthless prioritization: delete or delegate things that make no differences. Protect your time - Luck Management: Stack proof, rig the odds, increase your luck surface area. - Career rebellion: Escaping the trap of high-status, moderate money, low-fulfillment paths - "F*ck it, we ball" Mentality: Moving forward, no matter what the board looks like. - Micro-bravery: Daily reps of courage — sending the message, launching the offer, making the ask - Input compounding: anything above zero compounds. Do some, not none. Beneficial > Optimal - Creative autonomy: Making things that matter without waiting for credentials or "worthiness" - Failure fluency: Reframing mistakes as momentum, information to be used. THAT'S SPEED. TL;DR Move fast. Break things. Dream big. Act bigger. Plan bold plays and get in the game. 2. Presence Speak with character, clarity, and emotional resonance. Make the most of where your feet are right here, right now. Use words. Convey ambition. Ask questions. Be unforgettable. Capitalize on opportunity-filled moments. Fill the room with energy. Embody conviction, playfulness, and enthusiasm. This pillar is about mastering the art of spontaneous, high-impact communication — whether in conversation, on stage, or online. It’s not just about being articulate; it’s about being alive when you speak.