Got a quesiton for the collective. I have 2 ediors working on a series. The music supervisor has provided a bin of tracks for them to use. I had set them up with Favorites Bin which automatically updates and a colour code system, so they know if a track has been claimed. The downside is, one of the editors works with stereo music and the other likes to work with mono. They keep changing stereo/mono tracks in the bin which is driving them both batty. Can anyone suggest a different system/method? The only thing I can think of is to use the favorites bin. Keep the orginal set of music in there. Duplicate the source files adding the suffix_mono to them. Import this new batch into the same bin. Then the editors can colour code the track they have chosen, and take either the appropriate mono or stereo version. Does this make sense?

Can someone help me modify the codebook for multiple episosed of TV? Normally I throw all the episodes into the Continuity and differentiat them but putting the series and episode number with the scene eg 201/01 for series 2 epsiode 1 scene 1. I also put the series and episode number into the REEL column to help keep things seperate. It would be really handy to have a seperate page per episode. Failing that - pointing me in the direction of some decent tutorials would be handy.

Ok, it's done. All videos for all courses and products are now available in the Classroom. If anyone has any trouble accessing these please let us know and we'll get it fixed right away. Sorry for this hiccup. Just one of the many issues we've had to deal with making the transition from our former platform.

Hey everyone, We’re excited to share that we’re transitioning the Master The Workflow community to a new platform — Skool. For those unfamiliar, Skool is a growing hub of online communities covering just about every subject under the sun — from filmmaking and editing to productivity, coding, and more. Some groups are free, others are paid, and all of them are designed to bring people together around a shared passion. Our Feature Film Assistant Editor community will remain a paid platform, just like always. That means only paid students will have access to the course materials — nothing changes there. But this new space will allow us to build something more connected and collaborative. Think of this as your clubhouse. You can start new conversations, ask questions, share wins (and challenges), or just hang out with others walking the same path. And while our private Facebook group is still live and active — and will stay that way for now — we’re hoping this Skool community becomes a real gathering place where we can all interact more deeply and get to know each other better. We’d love to kick things off by getting to know YOU: 🎥 What are you currently working on? 🖥️ Where do you work from — on set, in post, at home? 📸 Show us your workstation (we're nerds for gear setups). 💬 Or just say hi and tell us what drew you to this career path. This is your space to connect, share, learn, and grow — not just as assistant editors or editors, but as filmmakers, creatives, and human beings. ⚠️ A quick note: Right now, this is not a private group. That means others can view the community, but only those who’ve purchased our courses or products (like you!) will have full access. So rest assured, you're still in a cohort of serious, committed learners. We’re looking forward to seeing how this evolves — and more importantly, seeing all of YOU here. Let’s make this a place where the next generation of editors find their people. Best, Larry & Richard Master The Workflow