One idea so precise that it should probably be taught in every writing programme in the world
SCENE AND SEQUEL
In 1965, a writing teacher named Dwight Swain published a book that almost nobody read and almost everybody needed. It was called Techniques of the Selling Writer, and it contained one idea so precise that it should probably be taught in every writing programme in the world. It isn't.
The idea is this: every piece of fiction is made of two types of passages, and only two.
Swain called them Scene and Sequel.
A Scene is when your character wants something, meets resistance, and fails to get it (Goal, Conflict, Disaster). A Sequel is what happens inside the character after that failure (Reaction, Dilemma, Decision). That cycle, repeated all the way to the final page, is the engine underneath every novel you couldn't put down.
Writers resist this because it sounds mechanical. I know. But let me explain it better.
The novels that keep you reading at two in the morning aren't random. They move in a rhythm, and Swain just gave the rhythm a name.
The most useful thing about Scene and Sequel is what it reveals when one piece is missing. Stories that feel slow are usually all Sequel, all reflection and internal weather, with nothing going wrong. Stories that feel exhausting are usually all Scene, all disaster, with no space for the character to breathe or decide. The reader needs both. The momentum of a disaster and the humanity of a reaction.
Take the last chapter you wrote and ask yourself: is this a Scene or a Sequel? Then ask what comes next, and make sure it's the other one.
Hard question :)
What does your current chapter feel like to you? 👇
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Marcello Iori
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One idea so precise that it should probably be taught in every writing programme in the world
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