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👋 Welcome to the Golden Path Opera Community
I’m so happy you’re here — welcome 🌟 This community is a space for singers who want to understand their voice better, grow with clarity, and develop healthy, sustainable technique over time. Whether you’re just starting with classical singing or already working at an advanced or professional level, you’re in the right place. ✨ Where to start If you’re wondering what to do first, head over to the Classroom section. You’ll find a lot of valuable content there, including practical exercises, explanations, and the free Golden Path Masterbook to help you get oriented. 🎓 Ready to go deeper? When you feel ready to move beyond theory and want real guidance, structure, and demonstrations, take a look at the “Reach The Next Level” section inside the Classroom. This is where the full training and deeper work begins. Feel free to explore, ask questions, and take your time. This community is here to support you on your path — step by step 🎶 Enjoy the journey, Eva
👋 Welcome to the Golden Path Opera Community
Technique
Hello, I’m excited to be here. Last May I hired a voice coach. I’ve been singing my whole life but realized I had been straining and my voice getting tired. I knew I wasn’t breathing properly or sighing properly. My voice coach is professional, talented & patient. Watches how I do the things… I cant do weekly lessons so I do monthly. I get a recap of the lesson with homework. I know myself and know I get busy with work and life, I don’t practice enough. I’ve been working on breathing techniques and hitting my highest note- I think it’s a C#5. I’m somewhere between a tenor and contralto. Working on Singing AH - 5 Tone scale, droopy, MUH 135 Dopey-placement is an area I’ve been really working hard on. Any tricks or tips is much appreciated. Thank you!
Posture & Breath: Real Questions, Real Answers (Part 2)
For everyone already working with my Masterclass "The Golden Path into Opera Singing": Kristina asked a really good question about Chapter 2 (Breath Management), and I´d like to expand on this a bit for you. Even if I already answered her in the comments, this is something many singers struggle with. Go back and watch carefully how Anatol and I demonstrate the two basic breathing exercises. Don´t just look what we do. Pay attention to how it feels in the body. The chapter is only about 8 minutes long, but already contains all the essential basics and very clear demonstrations. Take your time with it. It can also help a lot if you film yourself while doing the exercises and compare it to the video. What you FEEL and what you actually DO are often not the same. What really matters is not taking more air, bur how you release and manage while singing. The stability comes from coordination, not force. When you practice, focus on keeping the expansion of your ribs, avoiding unnecessary tension in the neck and shoulders, and allowing the breath to flow instead of pushing it. Also take your time with both chapters Posture and Breath Management. This is the foundation of everything. I always compare it to opening the lid of a piano before playing. Without that, nothing really works. What do YOU notice when you work through Chapter 2? Let me know below :)
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Posture & Breath: Real Questions, Real Answers (Part 2)
Breathing exercises 1. from the GP Masterclass
I still have some uncertainties about the first breathing exercise. So the exercise is done on the sound "ssss" by holding it as long as I finish a phrase of an aria/song/Lied I chose? And I repeat that for every phrase until the end of the aria? And between those, is there the reflexive inhalation? Or?
What Good Teachers Look At
Good teachers don´t just listen to your voice. They watch how the sound is CREATED. Breath, Body, Coordination... Because the sound is only the result. Watch the video and you´ll understand what really matters.
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What Good Teachers Look At
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