I dedicated this Inktober to doing studies of the masters of the medium. I focused on Joseph Clement Coll, Charles Dana Gibson and Marcos Mateu-Mestre. Below is the mix of copies with some original work thrown in. Here are my takeaways: - Indian ink is black. Like, really black. And thick. It's like smearing soot on paper - On the brush vs quill debate I'm leaning towards brush. Quills are fun, but brush is much more predictable: ink flow never just stops, it doesn't tear paper, it's much easier to apply to large areas of tone, no issue picking up small amounts of ink, etc - The easiest way to clean a nib is to dip it in water and wipe with a paper towel, - If a nib gets clogged, you can unclog it by dipping it in water, but be ready for somewhat lighter lines, - If you using water to do lighter washes with Indian ink, clean the remainder off immediately. Indian ink can't be reactivated once it dries, and it becomes difficult to clean, - Doing copies is a great learning tool, - Doing copies is not enough. You need to try to draw something of your own and try to apply the design ideas that you learned through copying