Does daily posting on social media really matter? When I tried to post every day, I burned out, got bored, or forgot altogether. Over time I've found consistent does not have to mean daily... What helped wasn’t more discipline, it was reducing friction. Using tools like schedulers, prepping seasonal posts ahead of time, and leaning into formats I could repeat without overthinking. The more I leaned into my brand and my tools the easier it became to identify content and get it online. I'm still no where close to where I want to be... Some of what I post now is messy; sewing time-lapses, a toddler in a gnome hat, cluttered craft rooms, stretched out pajamas that I wore through two pregnancies. I’m a little embarrassed by it, but it’s real, and showing up is what is going to give me the means to fix those things. That’s been my experience. It's never perfect, hardly polished, and only gets good after building the foundation even if that means messy buns, and old maternity clothes for all the world to see... In Practice— Assignment Your turn (comment below): 1. Hard: What’s the biggest friction point keeping you from posting consistently? 2. Easier: What’s one change you’ve made that helped (time, expectations, format, etc.)? 3. Tools + workflow: Short answers are welcome. Bullet lists are perfect.

Product photos should be clean, neutral, and uncluttered. I didn’t do that. I staged my gnome hats in the woods out back — dirt, moss, uneven light, branches in the frame. At the time, the shop wasn’t meant to be serious. It was a cosplay prop. Something that amused me. At the time, Etsy’s front page leaned heavily on user-made galleries. Fantasy artists curated what they enjoyed working with, and the woods made the images easier — and more fun — to place. So when hats started selling, I didn’t pivot to what I was “supposed” to do. I didn’t buy a backdrop. I didn’t clear a corner of my house. I didn’t re-shoot everything to look more legitimate. What I did pay attention to was light and composition. I made sure the photos were clear, well-lit, and intentional — even if the setting was messy. Part of it was stubbornness. Part of it was taste. Part of it was paying attention to the moment I was in. Clean photos make sense if the goal is flexibility and mass appeal. But my goal wasn’t flexibility — it was place. Those photos weren’t clean, but they were orienting. They told people where the hats belonged and who they were for. Looking back, if I’d cleaned it up too early, the shop might have grown faster — and burned out faster too. The aesthetic held the world in place long enough for other ideas to form. Gnome Scouts didn’t come from a white backdrop. Neither did toadstool toss. That’s been my experience. It wasn’t perfect or polished. It was specific. And it lasted long enough to become something else. Your turn (comment below): Hard: What’s one “best practice” you’ve ignored because it didn’t fit your work? Easier: What part of the advice did you keep — and why? Short answers are welcome. Bullet lists are perfect wasn’t perfect or polished. It was specific. And it lasted long enough to become something else. In Practice — Reflection Your turn (comment below): - Hard: What’s one “best practice” you’ve ignored because it didn’t fit your work? - Easier: What part of the advice did you keep — and why?