I just posted something I've been working on for a while, a video that explains exactly what AIography is, where it's going, and why I built it. The short version: I've spent 40 years editing at Warner Brothers, Sony, Disney, HBO, and Netflix. I was there when Avid replaced film. I consulted on Final Cut Pro before it had a name. Every time a transformative technology hit, I watched the same thing happen: everyone focused on the shiny new thing and forgot about the craft. It's happening again with AI. And almost nobody is talking about story. That's what this community is about. 🎬 Watch the video below. If what I'm saying resonates, I'm now offering a Founding Member tier for $29/month, or pay annually and get two months free. Locked in for life. Full access to everything I'm building: courses, live workshops, Lumarka early access, and direct access to me. This window won't stay open forever. Head to the Classroom and hit the Founding Member upgrade. Then come back here and introduce yourself. I want to know who's in the room.

Let me give you the highlights: An AI-generated Tom Cruise vs. Brad Pitt fight scene made with Seedance 2.0 went so viral that the MPA — the organization that represents every major Hollywood studio — issued a formal statement calling it "massive infringement." This is the first time a text-to-video clip has triggered an industry-wide legal response. We are officially in new territory. But here's what I want you paying attention to: Kling 3.0's Multishot feature. This is the one that matters for anyone actually trying to MAKE something. Character consistency across multiple shots has been our biggest headache — and Kling just took a real swing at solving it. I break down the side-by-side comparisons in the newsletter. Also in this issue: → xAI launched Grok Imagine 1.0 (more competition = better tools for us) → Gore Verbinski made an anti-AI movie sitting at 89% on Rotten Tomatoes → The r/aivideo Awards hit 54,000 submissions — March 15 in Vegas That last one should be on your radar. This community is doing work that belongs on that stage. Go read the full issue and let me know in the comments — which story caught your eye? https://aiography.beehiiv.com/p/it-s-likely-over-for-us And if you're not already subscribed. DO IT TODAY!

Quick heads-up for the AIography crew — Kling has officially released v3 along with the new o3 models, and this is a meaningful moment in the AI video space. Kling 2.6 has already been widely lauded for its quality and feature set, to the point where many higher-end creators I follow are treating it as the current state-of-the-art video model — in some cases surpassing Sora, Veo 3.1, and Runway for real-world creative work. What makes this v3 / o3 release interesting is that it builds directly on what made 2.6 special, rather than reinventing the wheel: - Longer, more coherent shots that hold together narratively - Stronger subject and character consistency across clips - Noticeably improved motion logic (less drift, fewer artifacts) - Tighter native audio sync - Overall behavior that feels more intentional and cinematic Important note: v3 / o3 is currently available only to Kling Ultra plan subscribers, with a broader rollout expected soon. This looks very much like a staged release rather than a limited experiment. Bottom line: Kling continues to separate itself by focusing on creative reliability and control, not just raw generation. If you’re serious about AI-assisted filmmaking, this is a release worth tracking closely. If anyone here already has Ultra access and has hands-on impressions, I’d love to hear what you’re seeing.

Hey everyone! 🎬 The new issue of the AIography newsletter just dropped and it's a big one. THE LEAD: Disney invested $1 billion in OpenAI and licensed 200+ characters for Sora. The mouse is officially in the AI game. This is INCREDIBLY HUGE news for every type of creator. I do my best to break down what it means for all of us making stuff in this space. THREE TUTORIALS THIS WEEK: 1. Jay E from RoboNuggets n8n workflow that pumps out broadcast-quality ads for under $3 (full breakdown of the cost structure—this one's a game changer) 2. Tao Prompts 7 AI video prompt styles that actually work: Timestamp prompting, anchor prompts, cut-scene prompting, and more 3. TechHalla's grid prompting technique for multi-character consistency (actually posted this one here for you guys already!) ALSO: Runway dropped 5 world model announcements. They're not just making video anymore—they're building reality simulators. I explain why this matters. VIDEO OF THE WEEK: @nouryyildiz's "Hollywood Selfie Part 2"—running through classic Hollywood sets with Brando, Eastwood, DiCaprio. 2M views. Made with Nano Banana and Kling. Just pure fun. Oh, and I'm committing to at least one tutorial in every issue from now on. The tools are evolving fast—we need to keep up. ONE MORE THING: Still not subscribed? Get on it! It's free and it's the easiest way to stay current in AI filmmaking without drowning in noise. And if I can ask: if you're getting value from this, share it with one person who needs to see it. A fellow editor, a filmmaker friend, that creative who keeps asking you "what tools should I be learning?" This is the answer. https://aiography.beehiiv.com/subscribe Finally, let me know what you think. I value every one of your opinions good or otherwise. Hey, I was an editor for decades, I'm used to people tearing apart my work! 😆✌🏼

My wifey Simcha-Chaya filled in for me (with some minor trolling at the end from hubby) on the YouTube channel to show off Higgsfield AI's new Cinematic Studio feature! https://youtu.be/KYISSt99vho?si=bSvsyA3ehTxWDA6V