🐉 POST 3/7 — Scale as a narrative tool
Video result attached 🎥
After speed (Post 1)
and restrained tension (Post 2),
this one introduces scale.
Not to impress.
But to make the viewer feel small.
The key to this prompt isn’t the dragon.
It's the relationship between body, height, and emptiness.
👉 Visible hands gripping the reins
👉 The dragon’s neck dominating the foreground
👉 The city far below, partially hidden by fog
👉 A slow camera tilt toward the drop
Everything is designed so the brain understands:“I’m up here.”
Details that matter more than they seem:
  • The dragon breathes → weight and life
  • The reins move → physical reference
  • Fog hides the ground → controlled vertigo
  • The final descent → anticipation, not resolution
Epic doesn’t come from size alone.
Itcomes from how you place the viewer inside that size.
Tomorrow: why showing the body (hands, feet, weapons) anchors the viewer far more than any wide shot 🌫️⬇️
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Joan Marquez
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🐉 POST 3/7 — Scale as a narrative tool
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