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The Reverse Engineer

1.8k members • Free

Mastering.com Members Club

34.4k members • Free

36 contributions to Mastering.com Members Club
Introduction
Hello to all, I am a new member and am very excited to be part of this group. I am 69 years old and have been play music all my life. Mostly local bands as well as every band though my 12 years of school. I have always been interested in mixing and editing music ever since my first studio experience some 40 years ago. Now That I have reached retirement age I thought now or never.
0 likes • 4h
Nice to see you here, John! I'm also retirement age as are many others in the group.
Logic Session Players use of Plugins
I was just noticing Logic automatically assigns a myriad of plugins to their session players. For example: Session Bass uses 9 plugins. Seems like a lot to me. Right? The one I use often is Session Drummer. When you use the producer packs the tracks are separated which is what I want so a drum kit is around 14-16 instruments plus rooms plus sub groups plus fx returns. In total it's about 24 tracks. No problem with the tracks but the plugins? 46! Wow! Am I wrong? And the routing? 32 sends! I mean it sounds okay but creates a chore for me. I have no trust of other people making that many decisions for me. I have to touch it all and evaluate it. Brings to mind another thread where a user was having CPU issues with Logic. Session players were my first thought. I have noticed things play fine unless and until you flip the widget to display all the individual tracks and / or try to edit midi if you have converted to midi which I eventually always do. The work around is to only make edits while the drums are in solo when the whole mix won't play without CPU problems. My ultimate workaround is to use a laptop as a midi player and offload the entire task to a 2nd computer. I bring the audio back via Danté using Danté Virtual Soundcard.
0 likes • 6h
I’m a huge Apple fan but no fan of “Tim Apple”
0 likes • 4h
@George Palmer I don't believe we have that but a recent poll showed about 3x more Logic users that other DAWs. There are many experts in the general population of TRE.
Guitar meets Moog
In the Spring of 1978,I bought a Gibson RD Artist. The unique thing about it is at the time a company named Norlin owned both Gibson and Moog so they had Moog do some advanced electronics to include active EQ, compressor, expander and preamp circuitry. We are approaching 50 years together. I liked to experiment with electronics going way back and hacked on this one to add additional phase options and other unnecessary features. Through all the hacking and the natural aging process, the poor thing doesn’t play consistently due to end-of-life of the capacitors. Anyway I dove in today and have compiled a parts list on Digikey and will be restoring the electronics over the next few weeks. Here’s some before photos! Wish me luck!
Guitar meets Moog
0 likes • 3d
@Troy Hedland Yes, Troy. You can hear it. Listen to the attached. It's pure guitar. No plugins at all. Neve 1073 OPX interface, guitar, xlr cable, computer, internet.
0 likes • 3d
That guitar had not been fully working for over 40 years!
So can you mix?
I know I cant. Not like this. https://www.youtube.com/watch?v=3yX2YeaWkaA
0 likes • 3d
A day at the office. The longer you work with a group, the more cues you develop. Live sound is an art form that won't be killed by AI. The art only suffers from groups like the Eagles who pass off recordings for live music.
0 likes • 3d
@Tom Baldwin Total respect for monitor mixers. A skill I never acquired. I was lucky to have the best one in town as my technical mentor when I was young. Monitor mixers have to have right personality. They take a lot of “input” and have to deal with that professionally. I was not mature enough then…or now for that matter!!
Volume Balance without effects question...
Hello! I find it difficult to do a volume balance when the effects are disabled. I mix only my own instrumentals so I always put some effects etc. during the production stage because I don't like the dry sound because it's uninspiring to me during writing. Then I disable the effects, convert MIDI to Audio, and keep the effects disabled for the volume balance, because I see everyone doing volume balances before adding affects. I would prefer to do the volume balance with the effects on though, as it sounds better. Is there a reason I should not do this?
0 likes • 5d
@Lindy Botha I never print FX. Don’t have to. I have heard some do as a psychological barrier against overthinking. I grew up in an analog world where printing FX was required. I’m enjoying the luxuries of modern recording. You might find this interesting: as a last pass, I often focus in on FX and ride sends live with automation in touch mode. To me volume balancing is not one or two passes. It’s a multitude. …but I’m not in the clock anymore. No time constraints.
1 like • 5d
@Lindy Botha Touch mode is like write but it reverts back to read when you stop “touching” it. When you let go, no further changes. Write is a little more destructive. When you let go, it writes your last position all the way out until you stop rolling.
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William Yung
4
53points to level up
@william-yung-4822
Professional full-time Audio Engineer 1981-1993. Audio Systems Designer 1994-2019. Software Engineer. Cisco Network Engineer. Danté Level 3

Active 1h ago
Joined Dec 12, 2025
ENTJ
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