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The Writer's Forge

124 members • $5/month

25 contributions to The Writer's Forge
I'm updating the About page here and need YOUR input
As part of building this community, I'm updating the About page. Just curious which of these two vibes with the most people and would make you feel like, "Hell yeah, I need to sign up for that!" I was debating and debating, then I thought... I know a whole group of people with opinions! Let's hear it! Which would you prefer if you were landing on the About Page for the first time, and why? VERSION A: ✍️ The Writer’s Forge Stop forcing structure. Learn to create unforgettable characters that get noticed by agents and managers who can take your career to the next level. Most writers stay stuck because they’ve been taught structure-first. The beats look right… but the script feels dead. It’s missing a beating heart — characters that feel real, alive, primal as hell, and hit the reader on a gut level. The kind that make an industry reader flip back to the title page and think: “Who tf wrote this?” I’m J. David Stem (Shrek 2, Jimmy Neutron, Rugrats, Disenchanted). Studios hired me for 25 years to rebuild scripts from the inside out. Now I help writers do the same inside The Writer’s Forge. 🔥 Hot Seats — clear, honest feedback 🎯 Accountability — write with momentum 💬 Emotional Authorship — build characters reps care about If you’re serious about leveling up, get in here. $5/month for now — jumping to $50 soon. Let’s get to work. VERSION B: Stop writing in isolation and start thinking and acting like a professional. I’m J. David Stem, a $2.5B box office screenwriter and script doctor. Inside The Writer’s Forge, I teach serious writers to level up their craft with confidence — supported by a community that actually shows up and grows together. Get instant access to: 🔥 LIVE Story Hot Seats — real fixes, real clarity, coached by me 💪 Emotional Authorship — create characters actors actually want to play 🎯 Rewrite Rescue — diagnose what’s broken and fix it with professional precision 🎤 Pitching & The Business — insights from my former agent and working TV writers
1 like • 2h
I like option B because it focuses on community. Maybe throw some of that language in Option A -- the emotional heart of what you're building here. 🤓
SCRIPT SWAP 🔁
Hey 👋🏾 Fellow writers ✍🏾 After speaking with @David Stem an idea of peer script swap was brought into play How it works: We swap scripts (w.e you're working on doesn't have to be fully finished) to get feedback from our peers on our writing process If you want to get more than one opinion feel free to do so If you're in say "I'm in" and we can start exchanging
1 like • 10h
I'm in! I'll have a draft ready for swapping/feedback probably in the next two weeks max.
Coffee Friday at 12:30 Pacific time — Let's talk about what we're building here and what you're working on
Grab a cup and jump in. I want to hear what you're building, what's moving, and where you're stuck. I'll share what's coming next for the Forge, answer questions, and help you get traction on whatever you're writing. Quick, casual, useful. See you at 12:30.
0 likes • 2d
Will try to be there.
Plans for December — And a Possible Skool Challenge
I know it's been quiet this week, but there's a lot moving in the background and I'd love your input. I'm lining up guest writers to come in, talk shop, and answer your questions — including Phil Stark, screenwriter-turned-therapist and author of How to Be a Screenwriter. He wrote Dude, Where's My Car? and spent years on That 70s Show, so he'll have plenty to share. I want to start having guest writers and agents and such in regularly. How's Phil sound as one to kick it off? Also I dig deeper into how to run this community well, I've been exploring the Skool "Challenge" feature — and I think we might have something here. A December Challenge built around pages, word count, or scene output could be a great way to get momentum. But only if it's supportive, collaborative, and genuinely fun — not another source of pressure. We all put enough weight on ourselves already. So before I build anything, I want your take on this: Would a December writing challenge help you? If yes, what would make it feel motivating instead of stressful? Drop your thoughts below. I want to hear from you — and I want to shape this with you, not at you.
5 likes • 3d
I’d love to soak up some wisdom from Phil Stark. No downside there that I can possibly see — feature and series experience at the highest level. Challenges are hit and miss for me, but I am game to try one. I’m making steady progress on my zero draft of this first feature. (I wrote a pseudo-feature on oversized index cards when I was 18; can’t tell if that counts as my “first”?) I am simultaneously an owner of a startup in the financial space (left my tech career in October to do this) so my attention here in this Skool community is also hit/miss right now. A lot of change happening. I mention this only because I’m grateful to be here but am not currently a reliable participant. Catch as catch can. Mostly I’m trying to get through this draft and give it a single pass of revision so I can get the most out of a 1-1 feedback session with you, @David Stem
Brainstorming
Decided to take a fresh look at my original concept this morning which has evolved into brainstorming session which is causing me to rethink some aspects of my original rough outline. I think this new approach will actually make for a better overall storytelling in the end . At least that’s what I am hoping
Brainstorming
3 likes • 15d
There is a lot to be said for brainstorming and outlining out of linear order. I learned an unusual but sensible way to build the bones of a story about a year ago that unlocked my internal story engine. Will try to post about it later when I can reference the book I got it from.
2 likes • 12d
If anyone's interested, the order I've been following for brainstorming the bones of my story is as follows, with a caveat -- not everybody likes this kind of structural thinking. Lots of folks find it stifling, formulaic, etc. I happen to like it because my internal story engine is pretty new and needs some training wheels. Steps: I find the thing that pivots us into the new world, the act 2 world, the "MC must X or else Y" type of change. Then, I back track: what is the inciting incident leading to this big change? Then I zoom forward and ask, what's the big thing that moves us into the 3rd act, or catalyzes the climax? Then: what happens in the climax? Then back again: what is the tent pole in the middle of Act 2 that keeps it from sagging from all the zig-zagging heading toward the 3rd act?
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Tasha Kelly
4
80points to level up
@tasha-kelly-5427
Fledgling writer finding her voice; determined to become good.

Active 2h ago
Joined Oct 20, 2025
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