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Learning Jazz Violin

167 members • Free

9 contributions to Learning Jazz Violin
How come I missed this guy??
I just came across this amazing Polish jazz violinist - Michal Urbaniak - Michal Urbaniak Kind Of Blues in Chicago Chopin Theatre What a guy!!
Practice today!
OK - just having practiced a bit and then watched Matt's 'quick start' video - I started with blues and bebop scales in all keys, and then worked through a bit of Usher Abell's 'Jazz violin studies'.
1 like • 3d
Great question Matt - yesterday I did practice root to root but took a step further today by starting at the root, going down 2 o3 3 notes, back through the scale and then adding a couple of notes at the top before going back down again...
1 like • 3d
Great question Matt! Yesterday I did root to root - today I varied it by extending down and up a few notes at either end of the scale
A killer Stuff Smith solo
I think this was the first video I ever saw of Stuff playing. I remember being super excited to hear some things I was always looking for in a jazz violinist. Groove, grit and jazz melody.
1 like • 5d
Fabulous Stuff - but for me the real star in this clip is Ella - she is just Amazing!
Practise club this week
We will be doing our practise club this week on Tuesday at 5.30 UK time. I just got back from a great weekend teaching in Malaga and I’m raring to go! If you want a free try, just comment on this post or send me a direct message on here and il set you up!
0 likes • 28d
Sounds great - I'd love to give it a try! (Though I'd rather go to Malaga!!)
Why I Hardly Use My Microphone Anymore
Over the years I’ve gone through a lot of different stages in my amplification journey as a jazz violinist. In an ideal world, I wouldn’t amplify the violin at all. We spend so much time practising to get our sound from the instrument itself, and when we practise, we’re not plugged in. So it can feel weird when we have to amplify, like it’s not quite the sound we’re used to. I went through a phase of always using a microphone, trying to find a way to get the most natural sound possible. But as we all know, you just end up feeding back all the time and struggling to play. It only really works in the right setting. Nowadays, when I do a gig where a microphone is going to work well, like a concert with a sound engineer and a decent PA, they usually have something for me anyway, like a DPA or a live condenser mic on a stand in front of me. If I’m not in that kind of setting, I use my pickup instead. I set it so the amp is just a bit quieter than my acoustic sound. That way I can still play how I play, without having to change my bow pressure to suit the pickup sound. If I’m in a really loud environment, with a loud drummer, a big band, or playing background in a busy bar, I just embrace the pickup sound and turn it up. I’ve spent a long time working on playing in these situations, practising at home using less bow and getting used to that sound and feel. With that said, these are the current products that I have: - Schertler Stat V - Thomann Violin Microphone What’s your current setup?
1 like • Oct 31
Wow! This is sooo helpful - I've been going to a regular jazz class - mainly saxes of course! - and thinking I need some amplification, but found it very hard to find good advice and there's a lot of different stuff out there. Now I feel maybe I don't ned it but if I do I can use the mike the class has for the singer, or go further and follow Matt's recommendations! Huge thanks Matt!
0 likes • Nov 12
@Lotte Cutts coincidence - I'm on my way home from Bridgewod and Neitzert in Stoke Newington - really helpful session with Gary who gave great advice and helped me fit a small pick up onto my violin..Thoroughly recommend if you want some hands on help to enable you to navigate the amplification world! Good luck!
1-9 of 9
Su Kingsley
2
10points to level up
@su-kingsley-8095
Always listened to jazz but learned and played classical. Loved David La Flamme in 'Its a Beautiful day', Jean Luc Ponty and Christian Garrick

Active 2d ago
Joined Oct 30, 2025
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