Welcome all new folks to the Professional Writing System, Help with Writing whether you use AI or not and the support Channel for WordCrafter.Pro, very shortly adding BookWeaver, and PlotCrafter (squashing bugs) If you are reading this and not here for WordCRafter.Pro that's cool too. We are a community of writers who use AI to help write stories that are meaningful and real (or so we hope). My goal for everyone here is to be productive, successful, and prolific in your writing. No matter how you want to write. We are here to help! So a big welcome for: And apologies for the delay..... @J P @Ebone Holmes @James Ford @Jacob Perry @Abdullah Muhammad @Laguna Oasis @Liora Vale @Kimmy Miller @Haider Chattha Welcome to the Room!!

🙏 June 28, 2026 – Today's Prayer 🙏 Scripture of the Day "Above all, love each other deeply, because love covers over a multitude of sins." 1 Peter 4:8 (NIV) Heavenly Father, Thank You for loving me with a love that never fails. Your mercy has covered my life time and time again, and I am so grateful for Your grace. Today, help me to love others deeply, just as You have loved me. Teach me to be patient when it is difficult, kind when it is unexpected, forgiving when I have been hurt, and compassionate toward those who need encouragement. Lord, let my words bring healing instead of hurt, peace instead of conflict, and hope instead of discouragement. Help me to remember that every person I meet is someone You love. Cover my heart with Your peace and remove anything that keeps me from reflecting Christ. Fill me with humility, gentleness, and wisdom so that Your love shines through everything I say and do. Thank You for never giving up on me. May I extend that same grace to others and become a living example of Your unconditional love. In Jesus' precious name I pray, Amen. ✝️💜 Stacey

I spent last night actually writing again to try to finish and publish something from my backlog. Discovered some wonderful minor issues in formatting that will be fixed this weekend so you might also see a new addition to WordCrafter.pro's feature set by Monday And I have a new skill for the pro tier to use directly in Claude, a consistency and continuity checker. This does NOT replace the editorial room's 50 point checklist but was built to test BookWeaver's story threading engine. Every Tom, Dick and Mary is throwing out a new automation engine every couple of days and most of them are producing really pretty crap. Each one i look at teaches me something new. Mostly what NOT to do, that's why Im taking more time with this. I've written over 20 books in the BookWeaver system testing and reiterating and its about ready to roll Full books - Word, PDF, Epub Audio books Basic Editting Kindle Metadata Raw export to take to another tool like WordCrafter.Pro or your other favorite editor My question and what has really held me up is how to charge for this one. Currently there's no config or api keys to setup. You log in, answer a few questions, have the option of editting at each stop or just say go and you can have 100k words in an hour that is pretty good. Still could use polish and editting (because if AI was perfect we'd all be out of work). 50K or less in about a half hour. Pick your title and pen name, get your Kindle Metadata and decide to export or create an audiobook version. So each AI call costs, I currently have it at 3 levels of quality none of which are bad, just different models. Audiobooks are using 3 engines at different voice levels, elevenlabs is the most expensive. Final edits, rework/regenerate and calls to nanobanana for covers and editting covers. Leaving audiobooks out the most expensive book Ive created was $20. This was not the longest, this was the one I liked the most and spent more time editting, regenerating and doing backside coding for found errors. The average cost for the infrastructure overhead right now is $200/month, this will scale as more people use it but this figure is good for about 100 users or so. And the average cost per book is under $10. Would you want to pay $20 or so for 100K word publishable book? How many books a week or month would you want to use this for?

For those of you who listened to the songs I wrote and created with Suno... they are now on 25 stations. Thank you for listening and the encouragement you handed me. I also wanted to share that last Friday, the 26th, was my hubby and my 50th wedding anniversary. He showered me with poems and sweet words he printed and scattered around the house for me to find. I took the bit between the teeth and wrote him a song. I thought you might want to hear it.

Comp Titles: The Author's Most Misused Marketing Tool Comp titles are the most powerful positioning tool an indie author has. They're also the one most authors get completely wrong. A comp title tells a reader, a retailer, and an algorithm: "If you liked that, you'll like this." It's a shortcut that bypasses the need to explain your entire book. Done right, a comp title does more marketing work than a blurb. Done wrong, it makes you invisible at best and actively misleading at worst. The Three Ways Authors Get Comps Wrong Using titles that are too big. "It's like Harry Potter but for adults" is not a comp. It's a wish. Harry Potter is one of the best-selling series in publishing history. Comparing yourself to it doesn't tell a reader where to shelve you. It tells a retailer you don't understand the market. Comps work by setting specific expectations. A title that big sets expectations no debut or mid-list author can meet. Using titles that are too old. Comp titles have a shelf life. Most industry guidance puts it at three to five years for a useful comp. If your target reader discovered your comp title in college and graduated a decade ago, that comp is pointing at a version of the market that no longer exists. Readers change. Genres evolve. A 2012 comp in a 2025 pitch is a red flag. Using titles from the wrong market position. A traditionally published bestseller and an indie series with 40,000 Kindle Unlimited page reads per month are in different market positions even if they share a genre. Comping up too far creates a mismatch between the expectation you set and the experience you deliver. What a Good Comp Does A good comp title answers three questions simultaneously: Who reads this? Where does it live on the shelf? What feeling does it deliver? The best comp pairs are one slightly bigger title for brand recognition and one peer-level title for precise positioning. Something a reader would recognize, and something a reader in that community is actively talking about right now.