Activity
Mon
Wed
Fri
Sun
Aug
Sep
Oct
Nov
Dec
Jan
Feb
Mar
Apr
May
Jun
What is this?
Less
More

Owned by Michael

AI Pro Writers Studio

95 members • Free

The Home for AI-Powered Authors. Master story,prose, and marketing with expert AI personas to finish and sell your book fast. Never write alone again

Memberships

Skool Add-ons

979 members • Free

Ideorix - AI Writing & Editing

156 members • $15/month

Community Builders - Free

11.4k members • Free

AI Online Educators & Coaches

2.9k members • Free

Your Own AI Image Studio

83 members • Free

The SKOOL Directory

848 members • Free

AI Story Crafters

161 members • Free

The Darkling Collective

426 members • Free

Story Hacker AI

1.6k members • $67/month

265 contributions to AI Pro Writers Studio
Automation Ramblings
I spent last night actually writing again to try to finish and publish something from my backlog. Discovered some wonderful minor issues in formatting that will be fixed this weekend so you might also see a new addition to WordCrafter.pro's feature set by Monday And I have a new skill for the pro tier to use directly in Claude, a consistency and continuity checker. This does NOT replace the editorial room's 50 point checklist but was built to test BookWeaver's story threading engine. Every Tom, Dick and Mary is throwing out a new automation engine every couple of days and most of them are producing really pretty crap. Each one i look at teaches me something new. Mostly what NOT to do, that's why Im taking more time with this. I've written over 20 books in the BookWeaver system testing and reiterating and its about ready to roll Full books - Word, PDF, Epub Audio books Basic Editting Kindle Metadata Raw export to take to another tool like WordCrafter.Pro or your other favorite editor My question and what has really held me up is how to charge for this one. Currently there's no config or api keys to setup. You log in, answer a few questions, have the option of editting at each stop or just say go and you can have 100k words in an hour that is pretty good. Still could use polish and editting (because if AI was perfect we'd all be out of work). 50K or less in about a half hour. Pick your title and pen name, get your Kindle Metadata and decide to export or create an audiobook version. So each AI call costs, I currently have it at 3 levels of quality none of which are bad, just different models. Audiobooks are using 3 engines at different voice levels, elevenlabs is the most expensive. Final edits, rework/regenerate and calls to nanobanana for covers and editting covers. Leaving audiobooks out the most expensive book Ive created was $20. This was not the longest, this was the one I liked the most and spent more time editting, regenerating and doing backside coding for found errors. The average cost for the infrastructure overhead right now is $200/month, this will scale as more people use it but this figure is good for about 100 users or so. And the average cost per book is under $10. Would you want to pay $20 or so for 100K word publishable book? How many books a week or month would you want to use this for?
Automation Ramblings
4 likes • 2d
@Stacey Brooks @Vikki Carter I've been doing some analysis this morning. Jim released a really interesting cost analysis of how expensivean ideorix run is that im comparing against BW and WCP. I'll share the results later as it really shows the whole story when compared
0 likes • 30m
Okay, so I'm doing it BOTH ways, so saavy users can get the subscription and use their Api keys, newbies who just want a book can pay for credits and use my api keys for ease of use..... This however is proving to be a MAJOR headache to implement....and then once done tie it in as a higher tier for WCP. The end result is if you are already a WCP subscriber you can use plotcrafter and bookweaver at a discount directly through wcp. I miss my friend Fable....he could do this in a heartbeat. Speaking of which Claude was running *really* slow over the weekend both directly and through api in wcp. Things that normally took a few minutes took more like an hour. Even with Opus
Marketing Monday
Comp Titles: The Author's Most Misused Marketing Tool Comp titles are the most powerful positioning tool an indie author has. They're also the one most authors get completely wrong. A comp title tells a reader, a retailer, and an algorithm: "If you liked that, you'll like this." It's a shortcut that bypasses the need to explain your entire book. Done right, a comp title does more marketing work than a blurb. Done wrong, it makes you invisible at best and actively misleading at worst. The Three Ways Authors Get Comps Wrong Using titles that are too big. "It's like Harry Potter but for adults" is not a comp. It's a wish. Harry Potter is one of the best-selling series in publishing history. Comparing yourself to it doesn't tell a reader where to shelve you. It tells a retailer you don't understand the market. Comps work by setting specific expectations. A title that big sets expectations no debut or mid-list author can meet. Using titles that are too old. Comp titles have a shelf life. Most industry guidance puts it at three to five years for a useful comp. If your target reader discovered your comp title in college and graduated a decade ago, that comp is pointing at a version of the market that no longer exists. Readers change. Genres evolve. A 2012 comp in a 2025 pitch is a red flag. Using titles from the wrong market position. A traditionally published bestseller and an indie series with 40,000 Kindle Unlimited page reads per month are in different market positions even if they share a genre. Comping up too far creates a mismatch between the expectation you set and the experience you deliver. What a Good Comp Does A good comp title answers three questions simultaneously: Who reads this? Where does it live on the shelf? What feeling does it deliver? The best comp pairs are one slightly bigger title for brand recognition and one peer-level title for precise positioning. Something a reader would recognize, and something a reader in that community is actively talking about right now.
Marketing Monday
5 likes • 9h
@Vikki Carter it is already built into the marketing skillroom. just ask for comparative titles with your story bible on as context
1 like • 35m
the Market Scout skill should do it as well, i just want to pull it out as a separate claude skill to fill out that library
thank you
For those of you who listened to the songs I wrote and created with Suno... they are now on 25 stations. Thank you for listening and the encouragement you handed me. I also wanted to share that last Friday, the 26th, was my hubby and my 50th wedding anniversary. He showered me with poems and sweet words he printed and scattered around the house for me to find. I took the bit between the teeth and wrote him a song. I thought you might want to hear it.
4 likes • 15h
That's awesome news!!
The Plot-Forge Skill is now Live in the classroom!
Available here for anyone on the Pro Tier or for $49 as a one time cost. Either way all updates are yours free as long as you are at that tier or pay the one time. The Plot Forge Skill creates plots at 3 different levels, Basic, Detailed, and Ultra detailed. A full detailed technical manual is included but the simplest way to use it is to install with the Simple Install instructions in the package. It is the same as any other Claude skill. Once Installed just type: hey /plot-forge-v1 how do I use you? And you will get the following: Claude responded: Let's see what the cards turned up. Let's see what the cards turned up. Hey! I'm CASSANDRA, your Plot Oracle. Here's the short version of how I work: You pull the lever, I spin the story. Tell me what you want — or tell me nothing at all — and I'll generate you a complete story foundation ready to draft from. Three ways to start: "Surprise me" — I roll everything, including the genre. You get whatever the cards deal. "Give me a [genre] plot" — you name the genre, I roll everything else. Romance, space opera, cozy mystery, grimdark fantasy, any of the 33 genre packs. "Give me a [genre] plot with [specifics]" — you pin whatever you want (tropes, heat level, POV, setting, antagonist type, tone) and I roll the rest. Then you pick how deep to go: Basic Ideas — a one-paragraph spark. Fast, free, re-rollable. Basic Plot — ~10 pages. Hook, story summary, cast, structure, scene seeds. Detailed — 20–30 pages. Full character profiles, locations, voice guide, beat outline. Ultra Detailed — the full codex. Story Bible, character codex, world codex, chapter-by-chapter beats. Multiple files. Other things I can do: Spin a batch of plots in one genre ("give me 10 romance plots") Build a series arc from scratch with a Series Bible Generate the next installment in a series you already have To re-roll anything: just say "spin again," "re-roll," or "re-roll the [antagonist / setting / trope / whatever]." Seeds are cheap.
The Plot-Forge Skill is now Live in the classroom!
2 likes • 2d
And I've already updated it to V1.1
1 like • 15h
@Kathleen Osborne working on integrating it into bookweaver right now
New Writer's Voice Skill in the Classroom
Finished the Writer's Voice Skill and added it as a Pro Level Class or $29 one time Purchase This will take a sample of your writing or any one else's you like the style of and analyze it to Create a Writing Style Guide. It creates this in two versions, A human readable and an extremely token light version that is AI readable to use. Add the compact version as a context file in the binder, select it and instruct the wrier's room to "Use the StyleGuide file selected to write all outputs in this style"
New Writer's Voice Skill in the Classroom
2 likes • 15h
@Kathleen Osborne The real trick will be getting it fully integraed init into the skillroom process. stay tuned
1-10 of 265
Michael Culp
7
4,333points to level up
@michael-culp-2583
Fantasy/sci-fi author, woodworker/Crafter & entrepreneur from Kentucky. I build stories, handmade goods, and creative systems.

Active 15m ago
Joined Mar 21, 2026
ENFP
Lexington
Powered by