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ZEN STORY AND FILM ACADEMY

11 members • $9/month

10 contributions to ZEN STORY AND FILM ACADEMY
Here’s the zoom link to our 2nd part meeting w David
https://us06web.zoom.us/j/89949219240?pwd=fosaxaWCqvUHBiKrge8oxb8JO2RRqX.1 This is happening at 7:30 pm on 7 January 2026
0 likes • 17d
Thanks and thanks for putting this together!
Happy first Saturday of 2026!
How is everyone? Let me know how you’re doing and what state your works-in-progress are in! Remember the big event this coming Wednesday at 6pm MST!
1 like • 18d
I'm still trying to decide the villain but I have some options. My characters finally have some motivation. I've been thinking a lot of the characters that are already going through things and the inciting incident bringing things to light or making them interesting. The world is also coming together more. I'm hoping to write some more tonight.
1 like • 18d
https://docs.google.com/document/d/1rN4pLDkaCoevZgFHEp0DGCOSMoyjH4haU_O_sQqw0GE/edit?usp=drivesdk Here is the link to my Google doc. It always feels like once I answer one question I have ten more.
Nate’s Note: absolutist thinking and characterization
In my day job as an English teacher, I was recently talking to my students about the importance of being wary of absolutist thinking, the type of logical fallacy that is thrown around a lot lately about “those people” from the political party we don’t like, and on and on. I reminded my students that this type of thinking—which many today fall prey to—is at the foundation of many societal ills, such as misogyny, racism, ideological or religious intolerance, and the list goes on. Applying this to our screenplays and novels is similar. When we fall into the bad habit of writing our characters not as three-dimensional people but as “good” or “bad” cliches, or we characterize them based on the ‘type’ of character they are (e.g. assuming every chef is the same type of Casanova, suave French chef from ‘Emily in Paris’—lol) we do our stories a disservice. Gray areas abound in real life and they should also in our stories—yes, even commercial stories—if we want to make them feel real. Life is messy, and it’s important that we not let our plot or characters become predictable. So let that ‘churchy’ girl have actual hormones. Let the guy who just converted to Judaism be named ‘Christian.’ Let us first experience “bad guy” doing something truly good and noble (one great recent series starts this way). Let the French chef be a boring, shapeless guy who plays dungeons and dragons. You get my meaning. Never be tempted to think “this type of person ALWAYS does or thinks or believes A, B, or C.” Because just like us, there are very different sides to these people—to every person, both real and imagined. :)
1 like • Dec '25
Thanks. I think this is helpful especially where I feel like developing characters is where I'm stuck.
Q&A tonight
I may or may not join tonight. I'm trying to coordinate schedules with my husband and with our kids.
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Mikaela Raun
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9points to level up
@mikaela-raun-6076
Here to grow, learn and have a creative community.

Active 3d ago
Joined Nov 6, 2025