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The Creators HQ | by Zedan
225 members • $80/m
28 contributions to The Creators HQ | by Zedan
3d •
CREATORS HQ 2.0 IS COMING.
I went back through all our group calls. Every question. Every problem you got stuck on. The same struggles kept showing up. So I'm rebuilding the entire Classroom around what you actually asked for. Camera fundamentals. The full DaVinci system. B-roll. Audio. Content strategy. Storytelling. All of it step by step, structured so you can follow it in order or jump straight to what you need. No fluff. Built from your real questions. Before I lock it in, I want to hear from you one more time. Drop a comment: what is the biggest problem you currently want us to help you solve as a creator? If it's real, it goes in the Classroom.
2 likes • 2d
I actually think there’s another topic that would fit really well into the Classroom, especially because it’s something I asked you about a few months ago. You told me back then: “There’s a lot behind the scenes, I’ll break it down soon” I think this would be the perfect time to finally break it down, especially now that you’re rebuilding the Classroom around the real questions and problems we have. I’d be really interested in understanding how your business is actually structured behind the personal brand and how you manage everything that makes this lifestyle possible. 1. Finance and logistics - Tax residency, health insurance, social security, etc. - How you manage accommodation, flights and other expenses when you’re constantly travelling. - How you decide how much you can spend on your lifestyle without hurting the profitability of the business. - How you make the whole thing financially sustainable. 2. Team and creative process This is especially interesting to me because from the outside we see the final content, but not the team and systems behind it. - Which roles do you consider essential to building a personal brand at your level. - What do you still do yourself and what do you delegate. - How do you work with freelancers: per project, monthly, retainer, etc.? - How do you find and select those people? - How do you manage and direct a creative team while still getting the quality and style you want? - And especially the filmmaker role: do you think it’s worth having someone working with you almost full-time? How do you build that kind of relationship? What would their responsibilities be? How do you handle flights, accommodation and travel when they need to be with you? Are those expenses paid on top of their salary, or is there a better way to structure it? - In general, how do you go from “I do everything myself” to building a team that allows you to produce more and better content without losing your vision. 3. The community as a product
Mar 19 •
Zedan, why Bali?
I see a lot of creators there. It might be because of the price of a luxury lifestyle. Also because of the tropical energy, the superior content creation opportunities, meeting other entrepreneurs, and having a great network... I'd love to hear your opinion.
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Mar 19 •
Quick Win: Color Grading 🎬
Most videos don’t look cinematic because of bad color grading, not bad cameras. If your colors look off → your whole video feels off. That’s why I just dropped a BRAND NEW CLASSROOM: “Color Grade With Me”. It’s a raw walkthrough of my exact process from start to finish. No overcomplication. Clean blacks. Natural skin tones. Colors that actually pop without looking fake. Action for today: Watch the classroom and apply one change to your next edit. Question: What’s your biggest struggle with color grading right now? 👇🔥
2 likes • Mar 19
my big problem right now is the color grading in a indoors clips with medium or low luminance. Can you show with us how you work in this situations? When the luminance is good in exteriors it’s more easy get a good color
Mar 18 •
I need Clips in S-Log3 or V-Log
Anyone with this profiles can send me ten or more clips for practice, in a link of Google Drive. The Osmo Pocket 3 have D-Log M and 8bit and the process is very tediously
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Mar 18 •
Zedan read this
I've been thinking about this a lot lately, and I think you have a very interesting perspective. I wanted to ask you about your tax residency: where do you actually reside from a tax perspective? And, related to that, how do you manage things like health insurance and social security in that country? I see you traveling a lot, and I'm wondering how you organize all of that: residency, insurance, taxes, etc. I imagine you've dedicated a lot of time and effort to it, especially considering the expenses that come with your lifestyle: constant travel, accommodation in different countries, etc. So I'm curious to know how you manage the financial aspect and how you make it all sustainable. Also, I'd like to know if this lifestyle is simply due to personal preferences, like your passion for traveling and experiencing different cultures, or if it's also a strategic decision for your content. I feel like being in different environments (tropical, urban, European, Australian, American, etc.) provides you with an endless source of inspiration and creative variety. And more specifically, how do you manage logistics on the ground? For example, if you're staying somewhere like Bali, do you rent long-term accommodation? Do you share expenses with other creators? Do you pay monthly rent and also cover flights and accommodation in other countries? In short, how do you organize yourself to ensure it remains profitable and doesn't become a situation where most of your income goes toward maintaining the lifestyle, or even creates problems with taxes, bureaucracy, or insurance? I would really appreciate your thoughts on this. There could even be a module on this in the community classroom; I think it's super interesting since many of us want to reach that point.
0 likes • Mar 18
@Zedan Mutlu Perfect bro, I'll be looking forward to that video
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