Hey everyone, A couple of weeks ago, I wrote an original composition for our Fix the Mix with Orchestral Tools. I’ve honestly been blown away by the responses. Many of you left comments, sent me DMs, or emailed me about it. To say thanks, I wanted to give the track, the stems, and the session a permanent home. 🔗 Song Assets: Download Link - My original mix - All the stems - The Logic Pro session (Thanks @Josh K for the idea) In Logic, you can press "H" to show hidden tracks and see all the MIDI behind the strings and orchestral parts, plus the automation I used to make the samples feel human and realistic: dynamics, expression, articulation changes, and plugin automation. If you don’t own the Orchestral Tools libraries, the instruments won’t load, but all the MIDI and automation will still be there to study and reuse. 🎵 Remix Contest I’m releasing Birth of Entropy under my tethermind project as a single on Friday, November 20, and I’d love to hear what you can do with the stems. - Remix: Any genre, any direction. Flip it, chop it, make it your own. - Deadline: Sunday, October 25 at 11:59 PM Mountain Time (Countdown Timer) - Submission: post your remix as a comment on this post (SoundCloud, Disco, or Drive link) - Prize: My favorite remix gets officially released with my original as a two-song single on November 20, on Spotify, Apple Music, and all streaming platforms. You’ll be credited as the remixer and receive 50% of the remix’s streaming royalties. Stems are for this contest and personal practice. Please don’t release your remix publicly until the contest wraps; I’ll share full details on usage after the single is out.

We're hosting our free 3-day Fix-The-Mix Challenge starting next Tuesday, Oct 13th. Some exciting updates for this one: 1️⃣ Kevin "Black Pearl" McCloskey will be mixing again (you all love him) which means you can watch a multi-platinum engineer mix a track from start to finish, explaining every step along the way. 2️⃣ We are also adding a new SPECIAL GUEST segment on Day 2 where we will be joined by Ben Thomas, who is an incredible engineer and producer from Philadelphia. Ben is a Grammy-Nominated, Diamond-Certified, Multi-Platinum engineer who's credits include Pharrell, Snoop Dogg, Nicki Minaj, Bring Me The Horizon, Travis Scott, Justin Bieber. Learn more and grab your free ticket here: https://courses.mastering.com/events/e/fix-the-mix-oct-2026?utm_source=Skool 🚨 This is our first event we will be hosting on Sessionwire instead of Zoom, which should help increase audio quality for the live event itself, and the replays. To join, you will need to use a Chromium based web browser like Chrome, Edge, Opera or Brave (no account necessary, just click "Join as Guest") or download the Sessionwire Application for best performance (free account required): https://studio.sessionwire.io/download Cheers, Rob

Just finished the Orientation Call with Joseph. What a blessing it has been. Tremendous help for me. Completed orientation and at 20% on the 101 classes. Looking for to the future and this adventure. This is a tremendous program!!!👍

Good morning everyone, I've been using headphones for the past 5 months out of laziness haha. Just got setup to ping my studio room, I have some isolation blankets and foam bass traps installed in the typical areas of concern, after running a Pink noise generator, I'm finding a good sized hump at 125hz to 250hz. I also notice this is the frequency range I most notably fight to get right with mixing between headphones and monitors. Here is my question. Does a person continue on and know to cut those frequencies down a bit going forward knowing full well that band is boosted in the environment? or try and eliminate those nodes and deaden the room more? Really just seeing what you all would do in this case. Let me know and thank you in advance!

FTM September! Figured I'd follow suit and post my submission. This one was fun! https://drive.google.com/file/d/1ipBP2La4UBwInz6OQFAY6VizcwohWUWf/view?usp=sharing