People who hire composers rarely browse the upload pile. They might look when a production’s about to start (maybe)... For many composers, they just want their music played They want their music heard. Tons of composers finish a score, upload it, and wait… and wait and wait . . . … For a stranger to find it. And there are plenty of sites for that. The thing is, like job hunting, people don’t post a CV and hope. They check the job listings. BUT for composers… there’s nowhere to check. We wanna flip the script and make Composers the PRIZE ! So here’s a thought I’m testing... If we could point you to live projects needing original music, an original score… Would that be worth hearing about? If you have the opportunity to score music for a project, What type of project would you love to create music for? Lemme know below 👇 👇 👇 Or If it’s “something else,” tell me in the comments. I’m deciding this week where to look first.

My dearest composer, I wanna help you get your music used in a movie, a play, TV show or a video game. (or wherever is most appropriate for your music) Idea 💡 Plenty of composers have a folder of sketches that never got a final mix. Others finished the music, but the inbox stays silent. A finished reel is the map. Someone who hires is the door (to getting your music played). If I were to help you finish a demo reel (and show you a proven "system" for finishing music) … 📽️📀🎧 ...and open doors🚪to the people who hire composers I'd... 👉 Walk you through finishing your demo reel on weekly 1 on 1 call 👉 Teach you the "Music Machine" system that will let you finish more music than you ever thought possible 👉 Show you the Giving Funnel, a simple way to reach out to producers by giving first 👉 Actively look for real connections in whatever musical world you're hoping to work in ➕ Access to VIP Freedom to Compose for 6 months(F~R~E~-E) Nothing to buy today. I'm just testing the idea. Would you be open to it? If I opened up ONE SPOT... And set it up 👉 AUCTION STYLE 👈 With $1 minimum bid 🎯 👉👉👉 Would YOU bid for at least $1 ❓ Vote below!

My fellow composers, I'm curious if you all like the current name of this group.... Here's why. When I started this group, I built it around the idea of getting composers paid. But then I read every single message you all have sent me. And something jumped out. Almost nobody said "I want to get paid." You said things like: "I just want my music to be heard." "I'd love to only need part time work so I could write more." "My dream is scoring a game." And it hit me. Getting paid was never the dream. It's just the ticket... The real dream looks something like this: You wake up when you want. Make your coffee. Walk into your music room and write for three hours. Take a long walk like Beethoven did. Come back and pick up where the music left off. No boss. No alarm. No squeezing your music into the leftover scraps of the day. A whole day, composed by you. Freedom to create when and how you want. That's what this group is really about. The money part just buys the ticket. Personally, composing isn't about money or anything like that. So I've been kicking around a few new name ideas... Can you tell me which one of these you like the best? Vote in the poll below.

Welcome, friend. You found the place. Let me tell you what this is, because it's not another theory group. There are a thousand places on the internet to learn orchestration, mixing, and which strings library to buy next. This is not one of them! Your music is (probably) already good enough to start. That might be the most controversial sentence in this whole community. This is a place for taking action and finding your Freedom to Compose. Where music gets the best hours of your day, the right people actually hear it, and yes, it rewards you back. 🎼 Whether that means full time, part time, or just a good time. All three count here. Around here we believe gigs come from relationships, not job boards. That composers get connected, not discovered. And that "exposure" is something you die from on a mountain, not a payment method. And that the whole thing, outreach and all, can actually be FUN! Who this is for: Composers who want their music out in the world, their first real gig, or their next substantial one... And are willing to talk to actual humans to get it! Who this is NOT for: Hobbyists collecting courses... Theory debaters... And anyone waiting to feel ready. No shame in any of those. This just isn't the room. Now do three things before you do anything else 👇 1. Say howdy below and tell us where in the world you're writing from. I read every single one! Welcome aboard, you filthy little composer, you. Let's get your music out of the hard drive and into the world. Luke