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Broadway Consulting Group

18 members • $125/m

16 contributions to Broadway Consulting Group
A Theater Festival Listed on Playbill with Cash Prizes
Hi All, I saw this on Playbill today and thought of you. There are cash prizes and thought it may be of interest of many of you. Best, Stephanie 26th SeasonThe New York Theater Festival Competition for Plays and Musicals Prizes Total: $8,000First Prize: $3,500Full-Lengths | One Acts | Shorts | Solos Producing your play or musical is one of the best ways to review and develop your work. There is no charge for submitting, and every submission receives a response within 5 days. Prizes & Categories The Festival offers up to $8,000 in prizes, with $3,500 awarded for the best play or musical. Our winners are selected by the Festival's team/judges, so it’s not a "popularity contest" based on audience size. Sometimes, smaller productions with limited budgets win first prize simply because they were excellent. We value sincere, heartfelt performances and authentic writing. Prize categories include: - Best Production: $3,500 - Best Play/Musical or Short: $500 - Most Creative Play/Musical: $500 - Best Director: $500 - Best Actor (2 awards): $500 each - Best Actress (2 awards): $500 each - Best Singer: $500 - Best Musical Score: $300 - Best Choreography: $300 Video Recordings Available After your production, you can receive a 4K video recording of your show. The Festival uses four cameras to capture your performance from multiple angles, giving you a variety of shots to edit into a cohesive video. Central camera, Central zoomins, Right and Left. You’ll have access to raw footage which can be used without editing. This footage can serve as valuable marketing material and reel content for industry professionals. Plus, your friends and family can purchase Zoom tickets to watch your show from anywhere in the world! Why Stage Your Work at NYTheater Festival? This is a unique opportunity to invite industry professionals to see your production in person. Many industry insiders receive thousands of scripts each month and are far more likely to attend a live show than read an unsolicited script. By staging your work, you show that you’re serious about your production's potential to succeed.
0 likes • 2d
Thank you Stephanie!
Verifying SAW in Baltimore Date
Hello @Stephanie Rosenberg ! Jiiko and I are coming to SAW in Baltimore on May 13th, gonna grab those tickets today. I'm just verifying that it's May 13th you'll be there. Cheers, Laura
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"15" minutes daily work challenge
Whelp, yesterday I devoted 8.5 minutes :-) to recording myself...I didn't have more to say. But, it began the process of popcorning my brain back to "collect assets", gather and flesh out my ideas. This is the challenge for me. To sit my backside down and get this done, AND record it. AND THEN REWATCH IT/RELISTEN to it. But, yesterday was a start, and I'll build the remaining 6.5 minutes into today's work. I'm also going to include going through past "talks" and finding those scripts as part of the process/time spent, because it is. That's 105 minutes devoted to this process this week, with a big event I'm presenting at this weekend (book writing/different skill set). I'll keep going and see how many minutes I complete by Tuesday morning. Thanks so much Stephanie and Jaquie! Cheers
2 likes • 30d
@Jacquelyn Bell Kearney This has been really good for me, and your chunking helped me take it into baby steps. Thank you! Lots of implementable ideas and "stories." This week is culling all the ideas and listening to them back. In total last week, I had 117 minutes. I'm running them through a transcription "REV" and going to feed them into AI to get the gist and flow.
Let's get this party started
Hi All, I'd like to get this chat/posting more active. What would be the best way to engage all of you? Is it the Daily Tips? Do you want video posts? Marketing help for artists? Auditions advice? Submission advice for writers? How to build your investors for Producers? Or wouldWhat would be the most helpful for you in your Broadway journey? Talk to me so I can figure out how to be in service to you all the best way I can moving forward.
0 likes • Jan 26
I think some mini classes about different subjects within live theater. Basics that some people may know, but others may not. *The structure of who's on a thester"team" and what their roles are. *Pitfalls or red flags of hiring teams, signing contracts, etc *Best business practices for shows (benefits of different business structures) *Marketing advice- is the goal to get as many fans along for the journey, so when it's go time, you have your list to attend the event. *Rules of unions 😳 and the different types of shows and making sure we don't step on toes. *How to instill confidence from the jndustry (show moxy and tenacity) without knowing anything about the industry (learning as we go.) As it's a small theater world, how to not appear small because you're "new" *What is the incentive for someone to pick up new works? Financial Roi? Where do you find people who are motivated differently (ie emotional ROI?) *Alternative fund raising -indigogo, etc ****Do you know anything about stock gifts for nonprofits? I know everyone wins on that, for non profit because of current value of stock is what's considered, not gain. Can you use fractured atlas for something like that? I also love your tips posts. I also love the
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Laura Clancy
2
14points to level up
@laura-clancy-3393
Speaker * Performer * Mindset Expert

Active 2d ago
Joined Jan 25, 2026
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