Most of what you’ll hear here is G major chord progressions G, Am, Bm, C, D7, Em, Fdim, G With the major 7 and minor 7 alterations I like to play with modes of the major scale to connect different positions on the neck. You will hear some obvious flubs in here that are not in key. I aim to utilize these moments to load the weight, as one would in Aikido, into the wrong note and explore sounds that are relatively pleasing. My aim isn’t to remain in place the whole time. I want to explore and find new connections. That is how we learn to improvise. Build new synapses like the brain on psilocybin and then we have options.